Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts

Wednesday, September 29, 2010

Further On Up the Road: 2010 Epic Summer Film

For anyone who wasn't able to make it out to Sugarhouse Park last weekend, here is my submission for the 2010 Epic Summer Film Festival, "Further On Up the Road:"



Unlike my previous Epic Summer submissions, I didn't go for the mockumentary this time. This piece is more an attempt to tie together the different interests I was pursuing over the summer, and pull out some kind of common theme. Near as I can tell, the common theme was Rock and Roll. From the band I played in to the bands I photographed to the road trips I took, music seemed to play a dominant role in the experience, much more so than humor, anyway.

A number of people thought I should have identified all the locations in the photos and video clips in the film. Since I didn't, I'll list some of them below:

  • Arches National Park
  • Canyonlands National Park
  • Seattle, Washington
  • The Jimi Hendrix Memorial, Washington
  • Sturgis, South Dakota
  • Devils Tower National Monument, Wyoming
  • Mount Rushmore National Monument, South Dakota
  • Cody, Wyoming
  • Quake Lake, Montana
  • Antelope Island, Utah
  • The Layton City Amphitheater
  • The Bountiful Days of '47 Parade
  • Yellowstone National Park

If anyone has a specific question about any of the images or clips, feel free to leave a comment.

A KISS Conversion?

Some of my favorite moments in life are the ones you never see coming. Not that they are particularly great or wonderful, just that they are so far from anything you expected when you woke up that morning.

I have a new moment for the list.

Last Wednesday night, about 10:30PM, I was standing with my buddy Chidsey on the west end of Rio Tinto Stadium in section 17 under a full moon as KISS blasted out the chords to "God Gave Rock and Roll to You" on a brilliantly-lit stage fifty yards away.

This moment is improbable for several reasons, including:

1. I am not a KISS fan.
2. As recently as 4:37PM that afternoon, I had no knowledge of KISS's plans to play a concert in Sandy, Utah that evening (let alone any intention of attending).

Yet, the moment came together. Somebody gave Chidsey a couple of extra tickets to the concert, and Chidsey gave me a call at the precise moment when spending an evening watching four middle-aged men in stage makeup rock out to a collection of innuendo-driven 1970's anthems like "Love Gun" sounded like a perfect idea.

So after two hours and 20 tracks of exposure to the full KISS experience, I still can't quite call myself a fan, much less a full-fledged member of the KISS Army. But I have a much better idea of why the Army digs them so much. Why they get dressed up to go to their concerts. Why they go crazy when the automated stage lifts the drummer's kit forty feet in the air and shoots steam out the bottom to make it look like it's about to blast off into the stratosphere.

Something about those old guys in eight-inch platform boots is pretty fun. Something about them bringing some veterans on stage to present an oversized donation check, then leading us in the Pledge of Allegiance while guitarist Tommy Thayer waves a fifteen-foot American flag is kind of cool. And something about lead singer and "Star Child" Paul Stanley repeatedly referencing the band's new album "Sonic Boom" and how you can get it exclusively at Walmart reminds me that even though we all like to take rock and roll seriously, we really shouldn't.  Especially when a harness lifts 61-year-old Gene Simmons to the top of the stage scaffolding so he can spit blood and play his axe-shaped bass guitar at us from fifty feet in the air.

Almost, thou persuadest me to be a KISS fan...

I'm still not much of a fan of KISS's music. But last night I became a big fan of the KISS Experience.

Tuesday, August 31, 2010

Countdown to the Debut

I'm getting kind of excited.  My new band Groove Theorem is playing the Layton Amphitheater next week on the night of September 8th (a Wednesday).  The show is free, and we're going to be joined by my good buddy Paul Timothy.  Here's a taste of what we've been working up for the show:



Hopefully the neighbors won't complain too much...

Friday, August 21, 2009

Iron, Wine and Cheese

Best thing about last night's Iron & Wine/Okkervil River concert at the Gallivan Center?

-Having a friend arrive early and stake out a spot ten feet from the center of the stage.

-Thoroughly enjoying the opening set by Okkervil River, instead of just glaring at them for 45 minutes wishing we could just get on with the headliner that (in all other cases) I had paid to see.

-The arrival of a 40-ish stoner, clad in sweaty tie-dye T-shirt, mystic necklaces and clutching a copy of the dictionary (naturally) as he twirled around madly, high on any number of illegal substances, screaming "I'M HERE" over and over only inches from the four disgusted teenage plastics who had seen their crafty effort to cut up to the front of the crowd thwarted by his unbridled odorous enthusiasm.

-The constant look of bemusement on the bearded face of Sam Beam as thousands of fans pushed, struggled and bounced beach balls at him while he made his way through a set of intimate acoustic favorites.

-Finally seeing the battery light start blinking on the camera the 6'4" surfer doofus kept holding up in front of me the whole night.

-The moment halfway through the Iron & Wine set when the 5'0" girl next to me grabbed the 5'3" girl who was trying to cut in front of her (and drag another friend through with her) by the shoulders and shoved her back into the crowd with extreme prejudice.

-Listening to a beautifully minimalist take on "Flightless Bird, American Mouth," knowing that half the crowd was having daydreams of vampires and high school dances, and the other half was cursing the fact that they ever used that song in the "Twilight" movie.

-The fact that the entire spectacle came free of charge.

Friday, July 03, 2009

What Happens in Vegas...winds up on Facebook

Last weekend The Josh's* were able to take a swing south to check out the Eric Clapton-Steve Winwood concert at the MGM Grand in Vegas. It was special because I had seen Clapton and Winwood in concert separately, but never together. It was also special because the concert was held in the MGM Grand's Garden Arena, which is the same place that Mike Tyson used to beat the crap out of people in 90-second increments.

Before attending said concert, we walked (literally) out to the local Hard Rock Cafe to grab a bite to eat, since we can't do so in Salt Lake anymore. There I enjoyed my long-missed chicken fingers and Hickory BBQ Sauce while taking in a few relics from rock history as I drifted into a smooth level of meditation in preparation for my blues guitar salvation.

(mental note: omit all clever rhyming schemes from future posts)

The concert itself was excellent, blending a number of individual hits with the handful of songs-most notably "Presence of the Lord" and "Can't Find My Way Home"-Clapton and Winwood played together when they were in Blind Faith. "Presence of the Lord" was especially nice, a longtime favorite that I listened to for the first time the weekend before I entered the MTC back in the Stone Ages. (Also the same night of Randall Edwards' immortal Elvis impersonation in the Dick's Market parking lot.)

The longest-and most impressive-jams were reserved for epics like "Voodoo Chile Blues" and "Dear Mr. Fantasy," with a lot of obligatory blues numbers from Clapton in-between. Winwood stayed away from the solo work he showcased at The Depot two years back, and drew most of his numbers from his Traffic catalog.

I didn't take my camera into the Arena-which was probably a good thing, given the constant rotation of alcohol, marijuana and BO odors that would have undoubtedly vaporized my SLR-but I did pull out my trusty 40D afterward on a modest tour of The Strip after the show. Here are a few highlights:







*I attended the concert with my other friend Josh, who we agreed was an old friend from college.

Wednesday, May 06, 2009

Charter Class of the Good Vibes Brotherhood

Almost a month after seeing them at The Depot, Travis is still stuck in my head. Sometimes it's "My Eyes", sometimes it's "Closer". Right now it's "Why Does it Always Rain On Me", the song we all did the pogo to for the last chorus. Part of this is because I was only familiar with a few of their songs before going to the show, and some of these new finds have been a part of my regular iTunes rotation in the time since. But a bigger part of me thinks that the reason their music has stuck is because of its good vibe. Francis Healy and his mates had a very genuine connection with the crowd, and not in a Rock Idol kind of way. They sincerely seemed to be having fun, and genuinely seemed to be concerned that we were too. That concern was reflected in the music, and that is why I've decided to make Travis a charter member in my Good Vibes Brotherhood.

From here out, the GVB will represent bands and/or singers who not only produce music that is cool, fun, or innovative, but primarily music that generates, as Brian Wilson might have put it-and Charles Manson, depending on whether you believe the story that he co-wrote the song-"Good Vibrations."

Membership in the GVB will expand to include future finds as well as to bring in past classics, but for now the charter class will include Travis, Jonathan Richman, and Ray LaMontagne. Feel free to submit nominees for GVB inclusion, but don't be disappointed if I don't add them right away. The best way to sell me on a GVB act is to get me to one of their concerts, but since I'm guessing certain future inductees are already dead, that doesn't have to always be the case. The bottom line is that these are bands that make you feel good when you listen to them, and make you feel like you've joined a hippie commune when you go see them. Or at least that you've become part of an exclusive clothing-optional club. Or...well, I think you get the point.

Here are the inductees:

Travis:


Jonathan Richman:


Ray LaMontagne:

Tuesday, May 05, 2009

Stuff I Found While Cleaning My Room

Found some fascinating stuff while trying to clean out my room yesterday...

Art Class Astro-Medallion Necklace Thing

I vaguely remember making this in a junior high art class many years ago, but I don't recall many details about the task. I can say with some confidence that there is no deep symbolism behind the blue sun emblem, which was more of a "this would look cool" effort than a "this blue sun is a metaphor for my deep-rooted pre-teen angst as interpreted through the ancient symbolism of Zoroastrianism" effort. I can say with more confidence that this necklace was made during Period 7 in the school day, since there is a "p.7" next to my name on the back.

Eagle Scout

I include this item not to brag, but rather to record documented evidence that I am indeed an Eagle Scout, because once the Boy Scouts of America learn how much I have forgotten since those days, my award will be confiscated post-haste. I might also mention that listing the award on my resume did actually get me a job in December of 1997.

Hunter Thompson Book

I have a love/hate relationship with Hunter S. Thompson. On the one hand, his fast-paced Gonzo prose style and love of the open road-typified by Fear and Loathing in Las Vegas-appeals to me as a writer and a traveler. On the other hand, his bigoted commentary on my faith in the wake of the 2002 Olympic scandal left me with an understandably bad taste in my mouth. Just think Dennis Rodman with a typewriter. When I found this book in my dresser I re-read the aforementioned column, noting with irony his declaration that the 2002 Olympic Games would be a "financial disaster," a "monumental failure", and a "train wreck."

There's not going to be a follow-up column apologizing, though; Thompson shot himself in February of 2005.

Random Keys

It's very possible that these keys go to the Sunday School closets at the University Institute. It's considerably less possible that they are the keys to a secret series of progressively smaller treasure chests that will eventually reveal a vial of magic beans that grant the user X-Ray vision and a heightened taste in Jazz music. Either way, I should probably give them back, since I was released as 32nd Ward Sunday School President in December of 2005.

Martin Sexton Ticket

I went to a dozen concerts in 2008, and did a blog write-up on every one of them except this one. I was pretty bent out of shape after the Martin Sexton concert at The Depot last Halloween. I figured no one would want to go with me, so my plan was to hit the concert solo, then roll into my friends' costume party right around it's peak at 11PM. Since the time on my ticket said 8PM, I thought that was a reasonable plan, even with an opening act. Instead, 8PM turned out to be the time the doors were supposed to open (though they really opened at 8:15), the opening act came on at 9PM and played for 45 minutes, and Sexton didn't even take the stage until 10:35PM. Sexton did play a decent rendition of "Glory Bound", but even after leaving midway through the encore, I still didn't make it to the Halloween party until well after midnight, just in time to get a lot of strange looks from friends wondering at my absurdly fashionable late arrival as they were making their way out the front door.

James Brown Ticket

On the other hand, this concert was awesome. Back in the spring of 2004, my longtime buddy Steve and I were able to catch JB at the Vegas House of Blues about three years before he died on Christmas of 2006. Brown was the consummate showman, even though his show was a little bit limited due to the fact that he was already into his early 70's at the time. My only regret: sitting in the balcony instead of going down on the floor. We should have been getting down with our bad selves at the feet of the master; instead we had a row of middle-aged ladies yelling at us to sit down so they could see.

Mission Tie

Sometime during my stretch in South Chicago during the summer of 1997 I decided I should wear the same tie every day until I was released as a missionary. Sometime after that I decided I didn't even need to bother untying it at the end of the day. Sometime after that I decided I should shove it in a drawer instead of pack it into the garbage can.

Ohio University Bill

A while back I got a bill for student fees from Ohio University. Nothing strange there, aside from the fact that Ohio University had rejected my enrollment application two years earlier. Talk about adding insult to injury. I'd never even so much as set foot on campus. Turned out to be a clerical error.

Farmington Ticket

Just in case anyone still hadn't heard, if you come across a patrol car who has stopped someone on the highway, you are legally obligated to move over a lane to give the officer additional room. I learned about this law the hard way on the way home from a date one night a few years back when a patrolman ditched the car he'd already pulled over so he could chase me down and punish me for my heinous violation.

Finger Brace

Two summers ago I dislocated and lacerated my right index finger playing volleyball, of all things. I was able to pop my finger back into place on the scene, but I had to go to the hospital to get stitched up, and then they sent me to physical therapy where I got this finger brace and met a cute brunette therapy assistant named Dani who was unfortunately involved in a long-term relationship.

Timing...it's all about timing. And cleaning, apparently.

Wednesday, April 22, 2009

...and now for these messages

When I was a little kid in the midst of my own personal Beatlemania, I remember a lot of people being steamed because Nike had decided to use a Fab Four song to advertise their new line of basketball shoes. Something about using a socially-conscious anthem for a cheap commercial use, I believe. I think the affair also played a part in breaking up this particular bromance, since Jacko owned the publication rights that let Nike get away with it.

I can see the purist frustration of using a "noble" song like "Revolution" for a base effort like pimping sneakers, but last night I was pretty happy about the use of mainstream rock in TV commercials. If it weren't for a Sony PSP ad from a few years ago, I never would have heard of Franz Ferdinand, and thus I wouldn't have wound up down at the Avalon Theater last night to see 90 minutes worth of sweet blaring swagger-strut rock out of Glasgow. Wouldn't have seen the whole band plus a roadie gather around Paul Thomson's drum kit to finish off "Ulysses" with a five-man percussion jam. Wouldn't have done the Pogo for the second time in a week (the first was during "Why Does It Always Rain On Me" at the Travis show).

Maybe it has something to do with the fact that the PSP ad introduced me to a band, but the Nike ad defiled an established act with strong emotional ties to a conflicted era. Maybe, in that case, the commercial use dilutes the power of the song and contributes to the capitalist corruption of pure art through the commercial obsessions of cheap popular culture. Maybe we've just got more important things to worry about.

...like whether I'm going to go see The Horrorpops on Friday.

Wednesday, April 15, 2009

Pop Culture Stew

Life is all about choices.

That's why last night, as the Jazz were getting punked by the Lakers in a first-round playoff preview, and while Britney Spears and the Pussycat Dolls were furthering the sexual corruption of Utah's youth down at the Energy Solutions Arena, I'm glad I chose to be across the street at The Depot watching a drunken Scotsman climb up on top of a double-stack amp to play his guitar behind his head.

Watching Travis lead guitarist Andy Dunlop wave his Les Paul around in the pretty lights was probably the most memorable moment from last night's concert, but it was hardly the only surreal moment of the evening. It only narrowly edged out the sight and sound of Kenn Janowski, lead singer of opening act The Republic Tigers, who's falsetto vocals during the band's cover of Blondie's "Heart of Glass" were so spot-on I wondered if he was lip-synching. And if I was having any second thoughts about skipping out on Britney, my fix came courtesy of a special acoustic cover of "Hit Me Baby, One More Time" courtesy of Travis's frontman, Francis Healy.

When the dust cleared from the show, I went home and watched Monday's episode of "24" online with some fresh strawberries and a shrimp cocktail. Turns out Tony Almeida is more loyal to Jon Voight than Jack Bauer. Bummer.

Life is all about choices.

Wednesday, January 21, 2009

Ballad of the I-70 Soul Soldiers

At 6:15am I rolled out of Orem in a 2006 Jeep Cherokee with my buddy Fabian, two nannies from Salt Lake, and Senator Bob Bennett's great-nephew. Our plan was simple: take a straight shot into Colorado, hit the Killers concert at Denver University that night, and get the senator's nephew out to DC in time for the Obama inauguration. And so in the heavy black of a January morning we cruised out of Utah County to the sound of Led Zeppelin's "Dazed and Confused", armed with four dozen rice krispy treats, two dozen bottles of vitamin water, two bags of Cheetos, some dried mangoes from Costco, and a track list of 25,000 songs from our five iPods.

For the first hour we wound down the perilous treachery of Highway 6 in total darkness, then somewhere south of Price the sun began to shine through the waves of fog that rolled across the frozen eastern Utah tundra while Johnny Cash blared "Sam Hall" through the stereo. As the fog thinned the sunlight blazed more and more intently through the front windshield until it felt like we were driving straight into the presence of God Himself. By the time we made the Colorado border, the fog finally fell behind, and we spent the next five hours winding our way over, around, and through the Rocky Mountains as I improvised a playlist that took us from AC/DC to The Clash to the Beatles in half a dozen moves. Then Tyler the Senator's Great-Nephew took over and served up a round of Killers tracks to warm us up for the evenings' big event.

As attractive as the concert was, we were hardly a pack of Killer diehards. Fans, yes, but only Tyler seemed to know the in's and out's of the complete Killer catalog. For the rest of us, the trip was a perfect excuse to get out of Dodge for a couple of days that happened to feature a great show right in the middle of it. For me in particular, it was a weekend away from unemployment, inversion, and the belabored process of integrating into my new family ward. And with gas prices as low as they've been for the last couple of months, there was no reason to think a quick road trip could be a bad idea.

Thanks to our early run out of Utah County, we checked into our yellow-bricked crash pad at La Quinta Inn with plenty of time to unload our gear, take a nap, and fill up on the all-you-can-eat pizza buffet at Beau Joe's before showtime. Beau Joe's was a local pizzeria chain whose claim to fame was their authentic Colorado-style pizza, which as far as we could tell just meant you put honey on the crust before you ate it.

The concert itself took place in the heart of the DU campus at Magness Arena, a mid-range venue that held somewhere in the neighborhood of 10,000 screaming twenty-something fans and 2,000 slightly less jubilant fans aged 30-65. Since they'd picked up their tickets three weeks in advance, my comrades landed right smack in the middle of the general admission crowd, five feet off the front rail in direct view of Brandon Flowers' keyboards. I picked up a solo ticket off eBay, which wound up just off stage right on the second row off the floor, at eye level with the musicians.

Shortly after 8pm M83 emerged from offstage and churned out a half-hour of opening tracks, heavy on the drums and synthesizer, and light on vocals. Their style clearly echoed the influence of the main act, and without the Killers' passionate vocals, they sounded almost like a half-hour overture to the evening's showcase. Then as the clock spun towards 9:30 the Killers finally took the stage in front of a wall of light, and the arena jumped to life as they blasted "Spaceman" through the tiny arena. Flowers zipped back and forth on the stage, hopping up on the monitor speakers to egg on the crowd as the band churned through three albums' worth of epic anthemic angst, from "For Reasons Unknown" to "Somebody Told Me" to "Human", with plenty of other hits in-between. Each song was a barrage of Spector-like synthesized Wall of Sound, anchored by rock-solid bass from Mark Stoermer and a flurry of backbeat hammering from drummer Ronnie Vannucci, Jr., who had the presence of mind to mount a fan behind his kit so his hair would blow while he played.

Over on my end, Dave Keuning rotated through a series of Gibsons and Fenders while laying down his assorted lead guitar licks, all the time looking like the one member of the band most likely to fill in for Bon Jovi in a pinch.

The arena pulsed and cheered for every track, but we saved our best response for the most grandiose of the Killers catalogue, "Mr. Brightside" and the set-capper, "All These Things That I Have Done". The finale showered the crowd with confetti and left us wondering what else they could possibly do to top the show, then the band reappeared and blasted out "Dustland Fairytale", "Jenny Was a Friend of Mine" and "When You Were Young" to hammer the final nail into the evening. Like U2 and Coldplay and so many other arena bands before them, the Killers connected with the crowd through their music and their message. Far from simple angst, the lyrics captured not only the passion of youth, but the frustration of being older than you deserve to be.

Once the initial buzz passed and we'd knocked down a late-night meal at a surprisingly hip and well-decorated Village Inn, we got Tyler the Senator's Great-Nephew out to the airport on time for his flight, then crashed for a few hours before taking in a local Sacrament service and heading back out on the road for our return trip. In spite of a little fog and a little cold, the highways greeted us with clear asphalt the whole way, a massive stroke of fortune given the timing of our weekend journey. Six hours later as I steered the Jeep west along I-70 towards the Green River junction, the setting sun once again blazed over the snow-capped ripples of Southern Utah, giving the distant peaks a pink glow as Nick Drake lulled out "Northern Sky" through the stereo, and I remembered once again that sometimes the best way to get out of a funk is to get out on the open road.

Friday, November 28, 2008

The Last Ride of the Renaissance Cowboy

I have two favorite photographs of my grandpa. The first was taken about thirty-five years ago out in western Davis County, probably the Woods Cross area by the looks of it. Grandpa is alone on horseback riding through a snow-covered pasture. It’s a classic shot; looks like it should be on the cover of one of the Louis L’Amour novels he kept up at his place in Island Park.


This photo is Vintage Jess; it shows the Grandpa I knew as a small child. The one who owned horses and had a huge gun rack in his basement. Before writing his obituary last week, I re-read the personal history he wrote back in 1992. So much of his life had taken place before I was born, and I really wanted to make sure I got it right. I’d read the history before, so I knew about his mission to the Eastern Central States and the time he spent in the South Pacific during WWII, but this time I began to notice different trends emerging.

For one thing, I was astounded at Grandpa’s capacity to excel at a wide variety of jobs. Over the course of his life, here are a few of the things he did professionally:

Postman, Dry Farmer, Floral Arranger, Cement Hauler, Lumberjack, Crane Operator, Hospital Orderly, Secret Message Decoder (his responsibility during the war), Hunting Dog Trainer, Resort Manager…plus he basically invented the entire security department for LDS Hospital.

Still, in spite of all that, it doesn’t feel enough to call him a Jack of all Trades, or even a Renaissance Man. When I look at that photo of him on the horse, I think that my grandpa was more of a Renaissance Cowboy, a classic self-made man. A genuine relic of the pioneer era of the Old West.

Because while the number of jobs was impressive, the trend that ran through them was more impressive: most of his opportunities were created with his own initiative. Grandpa was not the kind of man to sit back and let life happen to him. He was the kind of person who not only got involved, but actively tried to create opportunities for himself and others along the way.

His do-it-yourself attitude is at least partially responsible for the stubborn streak that runs through our family like a rookie bull at a rodeo. When Grandpa was about seven years old he informed his parents that he wasn’t going to go to church anymore unless he could wear his overalls. He said knee pants were for sissies. His taste in fashion lasted throughout his entire life, as is evidenced by the pair of snakeskin cowboy boots that currently sit at the foot of his casket.

His distrust of doctors is also notorious. On his way home from his military service, the malaria he’d contracted in the Pacific flared up, and army medics were about ready to get him off a train in Nevada to get him to a hospital. But my grandpa would have none of it. He just told them to keep piling on blankets and stay on course. No doctor was going to tell him what to do, and in the years to come, few ever did.

Grandpa may have had a stubborn streak, but his headfirst attitude is also responsible for my existence. My favorite story about Grandpa takes place shortly after he returned home from World War II, when he had to come to Salt Lake to report to Elder Harold B. Lee. Since his family was still in Idaho, Grandpa had to find someone local to crash with, and he wound up staying with the family of this girl he had written a few times while he was away. Then he managed to talk her into driving him into Salt Lake for his meeting, and before she knew it, the two of them were sitting in Elder Lee’s office while he talked about his war experience.

When he was done with his report, the apostle asked the two of them about their relationship. Since they’d only written a couple of letters and been on maybe one date, there wasn’t much to say, but the apostle told them he thought they made a good couple, and should probably give things some thought.

Fifteen minutes later the two of them were sitting outside in the car having the 1940’s equivalent of a DTR talk. As they talked over their options, Grandpa dropped this line:

“I don’t know that I love you, but I know you’re the kind of woman I’d like to have raise my children.”

This line has never worked for me, but within a week, my future grandparents were engaged.

Of course, that was Grandma’s side of the story…this is what Grandpa wrote in his personal history:

“I went to see Apostle Lee to report about the LDS servicemen at Camp Beale. I took Edith with me and after our visit, we were forced to evaluate our feelings concerning each other. I returned to Idaho Falls and my family. Soon after I returned to Woods Cross, Edith and I became engaged.”

It may not have been a romantic start, but if you’d ever seen them in the last five years, you’d have thought they were crazy about each other on sight.

And that leads me to my other favorite photo of Grandpa. A year and a half ago, while Grandma was going to dialysis twice a week, I used to go over and hang out with Grandpa for a few hours on Mondays while she was gone. I’d usually arrive to find them in the middle of a little routine. Grandma would sit on the stairs, dressed up in her jacket, while Grandpa would stand like a sentry at the front door, peering out into the road to watch for the bus. To an outsider they would have just looked like a cute elderly couple, but anyone who knew their history would see something much more special. The two of them were about as feeble as they could be, yet they were both still looking out for each other, helping each other with their jackets or getting up and down the stairs, getting on the bus or getting each other a new glass of ice water. They were a team, completely dedicated to serving each other. It’s the way they had always been.

One day as they were in their regular positions I pulled out my camera and tried to capture the moment. It’s not the greatest shot I’ve ever taken, but it might be the most meaningful. It tells me a lot about faith, and loyalty, and love. It tells me that life is about taking risks, and how those risks can pay off.

Grandpa was able to take those kinds of risks because he had great faith, and he had a strong testimony of the Gospel. Here is what he wrote in his personal history:

“In my life, there have been many times I have seen the power of God manifest, not only in healings, but in giving me light that I have needed. I have been inspired to say and do many things by the Lord. My prayers have been answered and I know that God lives, that Jesus is our redeemer and that Joseph Smith is a true prophet of God.”

As much as anyone I know, my grandfather understood the balance between the initiative we need to take in life, and the faith we need to put in the Lord in order to succeed.




***


Several hours after I delivered the preceding at my grandfather’s funeral, I was sitting with my buddy Breto at the Coldplay concert watching one of their opening acts. When I drove to Grandma’s funeral earlier in the year, a Rolling Stones song called “Shine a Light” had come on my stereo, which seemed poignant since my only previous funeral experience had been watching the opening scene in “The Big Chill” where a group of friends drives to a funeral while the Stones’ “You Can’t Always Get What You Want” plays. It had occurred to me after Grandpa’s funeral that I hadn’t listened to any similar Stones’ song on the way to his funeral like I had for Grandma.

Then the lead singer got up near the end of their opening set and mentioned that they’d been messing around with a song on the drive through the Rocky Mountains. It was the last night of the tour, and he said they’d decided to try it out on us. The song was a cover of an old Stones’ song off the “Sticky Fingers” album called “Wild Horses”.

As they started into the old cowboy ballad, I sat back in my chair and smiled. If there was ever a Rolling Stones song tailor-made for my Grandpa, it was “Wild Horses”. I doubt I’ll ever hear the song again without thinking of him.

Tuesday, November 25, 2008

Living Coldplay's La Vida Loca

Last weekend, Breto and I dropped by the Arena* to see Gwyneth Paltrow’s husband play some tunes with a few of his friends. For a guy who named his kid after a fruit, Chris Martin can write some pretty good songs.

But as good as the music was, what impressed me most about Saturday’s concert was the focus that the band put on the audience. Coldplay is one of the biggest arena acts on the scene, yet they seemed to bend over backwards to make sure the fans were having a good time. Whether it was Chris Martin constantly pouring his heart out to the crowd in between songs, showering the arena in butterfly-shaped confetti during “Lovers in Japan”, or running up into the stands to play “The Scientist” on the opposite end of the arena, Coldplay made it clear that they wanted everyone to get their money’s worth. And most importantly, they looked like they were having a lot of fun doing it.

Then again, my perspective on Coldplay has always been a little different than on other bands. After the show, Breto and I ran into his old friend Mattie, who used to hang out with the band back in their “Parachutes” days. I even have a copy of a picture of her sitting with them on a couch. Even that small connection brings the band down to earth a little bit, but in a good way.

About the only criticism I’ve ever heard of the band is that they sound too much like U2, another band that goes out of it’s way to involve the crowd. It’s true that there are a few sonic similarities, but I don’t know that there’s any act out there with musical roots you couldn’t trace back to some other band. I’m much more impressed with the other things Coldplay has in common with U2, namely their sense of performance and drama.

Like U2, The Killers, and even The Who, Coldplay has an anthemic sound that makes their music very cathartic, especially in an arena filled with fifteen thousand people. As crazy as things have been lately with the economy, the political world, and the tension with post-election fallout, it feels pretty good to hear some big-sounding anthem music. Epics like “Clocks”, “Viva la Vida” and “Fix You” just about blew the roof off the arena.

The only thing that was off was opening act #2, a DJ named Jon Hopkins. After a solid half-hour set from a band called Sleepercar, whose cover of the Rolling Stones’ “Wild Horses” turned out to be one of the evening’s personal highlights for me, a big video screen on stage started doing a movie reel countdown to what everyone in the arena thought would be Coldplay’s dramatic entrance. Instead this guy on stage started cranking out bizarro DJ beats while Pink Floyd-esque acid trip animations cycled through on the screen, and after ten minutes when everyone finally figured out that Coldplay wasn’t coming out on stage, his goose was cooked.

But then during the following break, Srauss’ “Blue Danube” swelled to a roar on the PA, the house lights fell, and “Life in Technicolor” announced the main act. It was all cool after that, right through to the encore finale of “Yellow”. I'd heard rumors before the show that it was the last of the tour and that the band might even be breaking up next year. If so, they finished in style; if not, then I can't wait for them to come back.

The Year of the Concert is alive and well.

Next up: Mr. Neil Diamond

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*Short for “Energy Solutions Arena”, formerly “The Delta Center”, formerly “Vacant Lot off 300 West”

Wednesday, October 29, 2008

31 moments from 31

Tuesday night as I was driving alone on I-80 towards the sunset, Simon and Garfunkel's "The Boxer" played on my stereo, and I was reminded that most of life's best moments are the simple ones. Last Friday I turned 32, and though I can present plenty of evidence to suggest that 31 was a lousy year, I can count a lot of blessings, too. So I've assembled a list of 31 of my most memorable "moments" at age 31. A few are bittersweet, but most are just sweet, and even if they aren't very interesting for anyone else to read, they make me feel better for acknowledging them.

1. November 3rd, 2007: Halfway through The Last Starfighter's performance of "Money" at the U32 Ward Talent Show (Not the Pink Floyd version; our own original song), I perform my first ragged drum solo.

2. November 17th, 2007: After ducking out of the ward service auction, I dance in a crowd of oddballs at the feet of the B-52’s at The Depot in Salt Lake City.

3. November 22nd, 2007: 10 years to the day after returning from my mission to Chicago, I catch a touchdown pass in my first Turkey Bowl in four years.

4. November 25th, 2007: After figuring out how to render old VHS tapes onto my computer, I watch a taped interview with my grandparents from my 12th birthday party.

5. November 29th, 2007: After a lifetime of musical influence, my entire family attends our first concert together when we see Billy Joel perform at Energy Solutions Arena.

6. December 15th, 2007: Following a Red Iguana dinner and a tour of Temple Square, a dozen of my close friends and our dates gather in my living room and fight over a two foot white porcelain cockatoo while Darlene Love’s “Christmas (Baby Please Come Home)” plays in the background.

7. January 4th, 2008: Three hours after entering the Thaifoon at The Gateway, my date and I are still at our table chatting away when a vacuum cleaner starts in the distance.

8. January 6th, 2008: While transitioning into my new graveyard work schedule, I stagger up to the U32 pulpit during fast and testimony meeting and out Katie and John’s dating status in the middle of a sleep-deprived ramble.

9. January 21st, 2008: Andy Waits says "the KJZZ Cafe is now open for business" live for the first time, and I officially become a TV producer. The next day Scott Pierce of the Deseret News rips us a new hole. Ten months later, we're still going strong.

10. February 2nd, 2008: I drive through Bountiful to Grandma Terry's funeral listening to The Stones play "Shine a Light".

11. March 8th, 2008: On a sunny day in winter, Dad and I weave a red Honda S-2000 at 85mph through Saturday traffic on I-15 with the top down.

12. March 17th, 2008: High up in the upper bowl, I jump up and snag one of those promotional balls that are fired up from the court via slingshot at Jazz games. My one-handed grab becomes a symbolic transitional point in a difficult year.

13. March 20th, 2008: Breto and I get down with 150 other people in Kilby Court in Salt Lake while Jonathan Richman plays "I was Dancing in the Lesbian Bar" a few feet away.

14. March 23rd, 2008: A number of confused ward members laugh as Bishop Greg Kjar sustains me as the U32 English Tutor.

15. April 11th, 2008: An employee at Barbacoa gives me a free lemonade because I had to wait for the transition between the breakfast and lunch menus. Within the hour I am at home enjoying one in a long line of Barbacoa burrito bowls w/pinto beans, spicy pork, two scoops of Pico de Gallo, and one scoop of the hot sauce.

16. April 13th, 2008: After giving an abridged talk at the U32, Mike Driggs tells me he’s never heard anyone refer to dropping acid in a sacrament meeting before.

17. April 22nd, 2008: As I complete a wait that began in the seventh grade, I stand in Randy’s office and try on the pair of Air Jordan IV’s I ordered off eBay…and discover that they are about a half-size too small.

18. May 16th, 2008: I stand in a crowd of 20,000 raging fans in Energy Solutions Arena prior to Game 6 of the Jazz-Lakers series as the pre-game intensity rises to a level I haven't ever experienced in any previous playoff game.

19. June 13th, 2008: After taking Katie around Salt Lake following a string of elaborate clues, I give her a hug and drop her off at the entrance of Red Butte Gardens, where John is waiting to propose by the duck pond.

20. June 18th, 2008: Randy and I enjoy a genuine Chicago Deep Dish Pizza at the Rush Street Giordano’s.

21. June 20th, 2008: Five minutes after grabbing a table at the Blue Chicago, the John Primer Blues Band whips into a cover of Ben E. King's "Stand By Me", and I lay eyes on one of the most beautiful girls I've ever seen sitting at the next table...drinking a beer with her parents.

22. June 21st, 2008: I confront director George Lucas at a Michigan Avenue Nordstrom's after he's done trying on a topcoat and mumble an awkward "thank you" while shaking his hand.

23. July 18th, 2008: Heath Ledger pulls the “pencil trick” in “Dark Knight”, and as I leave the Gateway Theater I realize that I want to act again.

24. July 30th, 2008: I stand in a small group with three of my longtime friends at the Usana Amphitheater while Joe Cocker sings “With a Little Help from My Friends”.

25. August 1st, 2008: I make my live television debut on the KJZZ Café, doing a short editorial about Techno-Zombies.

26. August 25th, 2008: I sit alone atop a mountain in Island Park, Idaho and watch the sun rise over Henry's Lake.

27. September 11th, 2008: On a perfect night in early fall, I pull out a borrowed HD video camera and record Katie and John as they dance to the music of a professional jazz combo.

28. September 15th, 2008: While driving home from my right-leaning morning show on the newly opened Legacy Highway, I head to Wal Mart and totally embody Rocky Anderson’s worst nightmare.

29. September 27th, 2008: I take aim at an apple with Glock 9mm near Francis Peak in Farmington and in a moment of rare accuracy, blow it to smithereens.

30. October 7th, 2008: Several hundred fans and I jump up and down in a suffocating mass at the feet of Rivers Cuomo, singing along to “Pork and Beans” at the Weezer concert.

31. October 18th, 2008: I watch Bruce Campbell laugh as he takes a chainsaw to his possessed hand in “Evil Dead II” during Zombie Fest 2008.

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Of course these weren't all my favorite memories from the year I was 31. I don't put everything on the Internet.

And neither should you.

Here's to 32.

Friday, October 10, 2008

The Zen of Weezer

There's something about being crushed in a crowd of 2,000 people that makes you feel acutely alive.

Up until last Tuesday, the only general admission concerts I'd attended were comparatively tame. Up until last Tuesday, the bands I had gone to see in concert had already been performing for forty years. Maybe that's why seeing Weezer this week made me feel like I was sixteen again.

The year after I graduated from high school, back when people bought CD's, I worked at the old Wherehouse Music on 5th south in Bountiful. One of the new CD's we listened to over the store PA was an obscure collection of power-pop hooks that sounded like they were sung by our high school's physics geek. They were catchy and fun, but many of us thought the band would be little more than a flash in the pan.

"A year from now," said my friend Cody, "the used bins are going to be filled with copies of this CD."

For a while Weezer did fade away, until their green album in 2001 launched them back into the spotlight. Considering that they've been recording for 14 years now, it's a little strange to think that when I saw them at the E-Center Tuesday night, they were probably the first band I ever saw "in their prime". But I think that has more to do with what Weezer represents. Rivers Cuomo may be pushing 40, but he's still the undisputed voice of adolescent nerd power-pop. So in a way, seeing Weezer this week felt like I was reclaiming a portion of my lost youth.

Tuesday's concert started shortly after 7:30 with a half-hour's worth of music from Alkaline Trio. They were followed by Angels and Airwaves, the spin-off band from Blink-182. Their music and performance was a lot of fun--they sound a lot like The Killers--but I still struggle with Tom DeLonge's deliberate off-key vocal style.

It was around the time AVA took the stage that the crowd scene got interesting. I'd picked up general admission tickets thinking that Weezer might be a fun band to experience in a throng of people. My buddy Tyler and I got there early enough to get about fifteen feet from the front railing, but when AVA kicked into gear, people started shoving around, and suddenly Tyler and I found ourselves staring at the back of a lot more heads. Heads that were inconveniently tall.

So when Weezer took the stage and the shoving got even more intense, I resolved to take advantage of the situation. Instead of let the crowd move me back, I muscled my way forward as Rivers sang "My Name is Jonas" and "Say it Ain't So", and within about ten minutes I was five feet from the front railing, and fifteen feet from where he stood on stage. I couldn't breathe or move, and the rest of the night was spent pushing in one direction or another to offset the force of the crowd.

It was a blast.

Throughout the concert, security had to reach in and pull people out of the crowd who couldn't take the pressure. Some kids were getting mashed against the front rail, others crowd-surfed their way out, and a few poor saps were there on dates. One girl fainted right in front of me, and I had to pull her back to her feet before she got swallowed up in the melee. I just went with the flow, twisting with the crowd and jumping up and down to "Pork and Beans" and "Hash Pipe". It didn't matter that I was sweating like crazy, or that everyone around me was sweating like crazy. The music was great, the night was great, and as everyone's daily grind was forgotten for three hours, we all felt happy.

In a way, the experience was a metaphor for life. When I tried to avoid the conflict, people shoved in front of me and I suddenly found myself out of the picture. But when I started pushing back, a little persistence and patience eventually landed me in a position that was more promising than I had expected going in. Instead of get bent out of shape because I was shorter than the tall dudes in my way, I used my size as an advantage to get ahead of them. Weaknesses became strengths.

Rivers would have been proud.

Friday, September 05, 2008

An evening with The Reverend

With some musicians, you go to a concert expecting a virtuoso performance, something polished and perfect. Al Green couldn't pull that off if he wanted to. At least he couldn't on Wednesday; he was too busy fighting women off the stage all night. But that didn't take away from his concert at Red Butte Gardens. In fact, it made it a lot more fun. It also helped me understand why people say that Soul music died when he left for the ministry back in the late 70's.

As fun as the concert was, the people-watching was almost as entertaining. Concerts are usually a pretty great venue for getting a cultural cross-section of aging hippies, middle-aged nostalgic fans, oblivious kids, and all-out freaks, but this concert was dominated by a peculiar demographic. Kind of a, "let's roll out a blanket, pop open a bottle of wine and drink ourselves silly out of these plastic goblets" crowd. It was like Al was the evening headliner at a cheese and wine festival. I guess it makes sense that he'd draw a slightly different group than The Who.

In a lot of ways, seeing Al at Red Butte reminded me of seeing James Brown at the House of Blues in Vegas a few years ago. Both are/were legendary soul acts, with over-the-top MC introductions to start and end their concerts. Both front(ed) extensive bands with horn sections, percussionists, organ/keyboard players and backup singers in addition to your standard guitar/drums/bass. And of course, both knew how to light up a stage.

But while Brown's act was a disciplined stage drill (so disciplined, in fact, that Brown used to fine his musicians if they ever messed up a note), Al Green's show is a bit more loose. His musicians are still disciplined, but Al would have a tough job fining his guys; thanks to his over-enthusiastic fans, he only sang about half the lyrics to his songs.

When Al hit the stage around 8pm and started singing "Just Can't Stop", a handful of women jump up on stage and try to get a kiss. Usually they got it, along with a long-stemmed rose that Al would pull from a bouquet he'd carried out on stage. I figured it would tail off after the first song, but the women never stopped for the entire 90-minute concert. The whole show was a cat-and-mouse game for the security guards, trying to spot and apprehend them before they'd get up on stage and interrupt another song.

But Al was far from annoyed. In fact, he ate it up. I've never seen a guy have so much fun on stage. You almost believed he meant it when he kept throwing out compliments about Salt Lake City. He kept telling us about how he wanted to wander out into the audience, but "they" wouldn't let him. He wanted to play "Take Me to the River", even though "they" didn't want him to, but he wanted to have fun, so he did anyway. It was all probably for show, but it was a great show. And conveniently enough, the music was great too.

Al tore through a series of his classics, like "Let's Get Married", "How Do You Mend a Broken Heart" and "Tired of Being Alone". He finished the show with an extended jam of "Love and Happiness" and did a whole medley of tribute soul samples from his contemporaries (including "My Girl", "(Sitting On) The Dock of the Bay", and "Bring it On Home"). But he also played a couple of the songs off his new album, and they were actually pretty good. "Lay it Down" sounds just like it was yanked off of one of his mid-70's albums. Kind of nice when that happens.

Of course, the highlight was "Let's Stay Together", the kind of flagship song that could fill a career even if the artist never recorded anything else. The only thing that would have been better would be hearing the whole song. Those ladies just couldn't help themselves. Neither could the guys, sometimes, though I think they were jumping up as more of a joke. I don't think Al really cared.

And that's another difference between Al and the late Godfather of Soul. Where JB eventually evolved into a larger-than-life Bad-A Funk Master, Al's stuff always had a more intimate feel. Still funky, but personal. Al seemed to draw energy from interacting with his audience, where James Brown was more focused on performing an act for his audience.

Of course, both shows were great, and I'm happy to check Al off my "to see" list.