Thursday, September 27, 2007

Five trade options for Andrei Kirilenko

One of the funny things about being a writer (even an unemployed one) is how little control you have over the creative process. For example, I am writing this at 1:21AM, when I should be dreaming about Kung Fu and flying mini-vans.


But enough about me. A week into the latest Andrei Kirilenko drama, it seems our native Russian still remains bent on taking his heroin-chic Ivan Drago act out of state. Maybe he just hasn’t had a chance to read my letter yet. Of course, I doubt that would do much to undo anything Deron Williams has already said on the matter.

Anyway, as the first day of training camp approaches, I have compiled a helpful list of options for Jazz owner Larry Miller to consider.

1. Shawn Marion, Phoenix Suns. Yesterday Marion officially made his own trade request public, and though he has indicated a desire to play for the Lakers (now there’s an original idea), the Jazz actually seem like a possible destination. Even the Sports Guy thinks so. The money lines up (kind of), the positions match (kind of), and not only is Marion a pretty serious player (he’s in that hip Nike commercial with all the guys walking in slow motion in white warm-up suits), but he’s a solid defender. Plus he's got a sweet nickname--The Matrix.
Odds: 10 to 1

2. Richard Jefferson, New Jersey Nets. In some ways, Jefferson makes more sense than Marion. Not because Jefferson is a 2-3 and would address our still-gaping hole at the shooting guard position, rather because acquiring Jefferson would finally give us the proper justification for playing “Movin’ On Up” during player introductions. And that would give this season ticket holder a big vote of confidence.
Odds: 25 to 1

3. Gordan Giricek, Utah Jazz. Perhaps the best move for Jazz brass is to look no farther than their own backyard. Giricek has an expiring contract, which will clear cap space for Deron Williams when the time comes for his max deal in a couple of years. Plus Giricek has also been unhappy with the logjam at his position and would likely enjoy a change of scenery. If we tell Kirilenko he’s going to a championship caliber team that desperately needs a defensive leader, in a city that loves white foreigners, he should perk up immediately and cure any locker room cancer threat. Both sides win.
Odds: 42 to 1


4. Jessica Alba, Fantastic Four. This trade makes sense for a number of reasons. For one, our current roster is not very good-looking. Alba adds clear roster depth here. Plus, adding a Hollywood celebrity to our lineup increases the chances of signing big name free agents in the next offseason. Scouting reports indicate that Alba’s wingspan is not quite up to par with comparable players at her position, but the benefit of carrying an “intangibles” player may overcome perceived disadvantages on paper.
Odds: 50 to 1

5. A microphone. (Insert your own joke about trading for an inanimate object here). By picking up a microphone, Larry can demonstrate shrewd business sense by ridding the team of a costly distraction, preserving roster chemistry, and adding an asset with cross-functional value, whether used by Jazz PA announcers or local country music performers.
Odds: 100 to 1

Or the Jazz could do nothing at all and hope that Andrei snaps out of his LSD-induced Karl Malone haze.

Odds: Even.

Tuesday, September 25, 2007

Photo Gallery Update


Happy Tuesday, people...

Just finished a series of updates on my Planet Venison photo gallery. Now it includes shots from recent trips to the Subway in Zion, Yellowstone, and the Murray City Park. Enjoy.

Wednesday, September 19, 2007

An open letter to Andrei Kirilenko

Dear Andrei,

Last night I heard you’d written some blog post that said you wanted out of Utah. Obviously I had an immediate response, but thought I’d wait until it was confirmed that you had actually written the post before I made one of my own.

As of this afternoon, it looks like it’s the truth: after six seasons with us, you want to be traded.

Are you sure about this, AK?

Don’t get me wrong, comrade; I understand your position. Three years ago you were the centerpiece of the Jazz. You were an All-Star. You did everything for us, mostly since nobody else was around that could. When everyone else was either leaving or refusing to come, you played on, happy as you could be.

But now that Deron and Booz have caught on, we don’t really need you to score 20 points a game anymore. We’ve got another foreign All-Star, too. It’s a lot harder to fill box scores when you play on a more talented team, I hear.

Heck, I even understand that playing for Sloan has got to be tough sometimes. But try to cut him a break, Andrei. The guy lost his wife to cancer. Do you think he’s really going to be motivated by whiny blog posts? For Pete’s sake, compared to the guy that coached Stockton and Malone, this Sloan’s a cupcake. He’s a downright friendly guy.

If you really want to go, then go. I just think there are some things you should consider before leaving town:

1. Ex-Jazzmen haven’t exactly led distinguished careers. Granted, you’d probably be the biggest name outside of Karl Malone to leave the team for greener pastures, but if you go down the line, those greener pastures never turned out to be so lush. If I remember right, the biggest ex-Jazz success was Dell Curry. Remember him? I didn’t think so.

2. Patience pays off sometimes. If you get your way and get out of town now, you’re just another selfish millionaire ballplayer. But if you do the noble thing and stick around, you build good karma. Karma paid off for Kevin Garnett, Andrei. Look at the shot he’s getting now.

3. You mean more to the Jazz than you realize. With Utah you have a perfect opportunity to fill a role that is designed for you. You are the perfect “intangibles” guy on a blue-collar team that desperately needs them. Deron may pick up the assists, and Booz might score in the paint, but your blocks and steals and dives and whatever else you pull out of your hat are the things that bring the crowd to life, Andrei. We love you for that, and we want to keep loving you for it.

4. Why would you want to leave a winning team to be a big fish in a little pond? Sure, you might get traded to someone like Phoenix or Dallas, but you’ve made it pretty clear that you’re not interested in winning. You want “freedom”. I understand that, but when your career is over, would you rather look back on championships or scoring titles? Why do you want to be the next Dominique Wilkins? Wouldn’t you rather be the next Scottie Pippen? Go ask Vince Carter, see what he thinks.

5. Utah’s a much nicer place to play than you know. We Jazz fans are a forgiving lot (unless your name is Ostertag). Just look at Karl Malone. His fits and trade demands pretty much became a running gag around here. But when it got time to get down to business, Karl worked his butt off, and we saw that. We forgave and forgot. Even after he shafted us and joined the NBA’s entry in the professional sports axis of evil (Yankees-Raiders-Lakers), we still retired his number. Larry still cried at the ceremony. Do you think you’ll get treated that well in New York or Philadelphia?

(Give me a second. I’m still on the ground laughing after that last one.)

Like I said, Andrei, I know where you’re coming from. Basketball should be fun, even when you’re getting paid millions of dollars to play it. I think you can still have fun with the Jazz, though. And from what I hear, hoisting a Finals trophy over your head can be pretty fun, too.

Give my best to the Mrs.,

Josh

The Starting Five: Best Movie Endings

In all my years of movie watching, and all my subsequent experience as an aspiring writer, one thing I have learned is that a killer ending is hard to come by. There are lots of good writers, a few good writers with good ideas, and even fewer good ideas that turn into great endings. Oh, how many classic TV shows crashed with bad series finales? (“Cheers”, anyone?) Oh how many potentially classic films crashed with lame third acts? (“Blade Runner”) The best-laid plans of mice and men oft go astray...(hey, there's a classic ending!)

With that in mind, here are my “starting five” best film endings of all time. These are the movies that delivered in the clutch, even if the first three quarters were kind of awkward.

(If you come across a movie here that you haven’t seen, skip it. You deserve to get the full experience, so go rent the thing tonight.)

Point Guard: “The Graduate”

A good leader has to come through in the clutch, even if the rest of the game has been pretty shaky. I actually came to identify with “The Graduate” more after finishing grad school than when I finished my bachelor’s, but even back then I knew I’d found a gem of an ending.

Buck Henry’s watershed story follows Dustin Hoffman as he struggles to find his way after college. Everyone seems to have an idea for how he should spend the rest of his life (“Plastics!”), but Hoffman himself feels pretty lost. Somehow he winds up having an affair with—get this—his dad’s best friend’s wife (Anne Bancroft as the immortal “Mrs. Robinson”), and he coasts through the summer in a nihilistic haze. Unfortunately he falls for her daughter in the process, and eventually shakes himself out of his insanity enough to go after her. Needless to say, this doesn’t go over well with most of the parties involved, and Mrs. Robinson tries to marry her daughter off to some rich kid to get her away from Hoffman. When Dusty intercedes, you get one of the great “question mark” endings of all time. All set to Simon and Garfunkel.

(Note: at the present time, no one has uploaded the final scene on YouTube. Just go rent it.)


Shooting Guard: “Butch Cassidy and the Sundance Kid”

Every great team needs a sharpshooter; why not two? “Butch Cassidy and the Sundance Kid” just about reinvented the Western, and is packed with enough classic moments for a dozen films. (“Who are those guys?” “Are you crazy? The fall will probably kill you!” “I’m better when I move.” “Bolivia!”)

But all of those classic moments lead up to a signature ending: cornered in some shack in a nameless Bolivian village, Butch and Sundance are waist deep in a shootout with a few local authorities. As they nurse their wounds, they go about their business taking pot shots at each other, continuing the abusive friendship we’ve come to love, never knowing that an entire militia is gathering outside. Finally they suck it up and run outside for one final charge, guns blazing.




Small Forward: “Tootsie”

A great swingman needs versatility, and enough unpredictability to keep the defense guessing. Then when he gets hot, you just don’t know what’s going to happen next.

When you try to explain “Tootsie” to someone who hasn’t seen the movie, you come off looking strange most of the time. Nevertheless, for those willing to take the plunge, Dustin Hoffman’s cross-dressing turn as a soap opera star pays off in one of the all-time great comic finales. Half a dozen crazy subplots spiral out of control—his relationship with his old friend (Terri Garr, who thinks he is gay), his relationship with his director (Dabney Coleman, who thinks he’s a man-hating feminist), his relationship with his male co-star (Punky Brewster’s dad, who thinks he’s playing hard to get), and his relationship with his female co-star (Jessica Lange, who thinks he’s a lesbian) and her dad (Charles Durning, who proposes to him, leading to this exchange with Hoffman’s agent, Sydney Pollack: “What did you say?” “I SAID NO! I went into the bathroom…I nearly pissed in the sink! I’M IN TROUBLE, MAN!”)

Eventually the crap has to hit the fan, and when it does, it’s comic history.




Power Forward: “Planet of the Apes”

Karl Malone was one of the greatest power forwards in NBA history, helped in no small part by a pair of serious guns that brutalized interior defenses. So who else could bring great guns to the table than Charleton Heston?

When Chuck and his interstellar crew crash land on a strange foreign world, they find a bizarre doppleganger planet where the monkeys are the ones in charge. They aren’t too keen on humans that can think for themselves, either. After two hours of classic lines and bizarro situations, Chucky packs up his loincloth and his mute She-Woman and hoofs it out to the “forbidden zone” to start a life far from those nasty apes. What he finds is a twist-ending and a half.




Center: “One Flew Over the Cuckoo’s Nest”

You’ve got to have an anchor in the middle. Someone strong enough to carry the team when everyone else is having an off night. “Chief” does exactly that in “One Flew Over the Cuckoo’s Nest”, both on the court (during a classic rec yard basketball sequence) and at the end of the movie.

“Cuckoo’s Nest” is the story of a criminal (Jack Nicholson) who fakes insanity in order to avoid serious jail time. He winds up getting institutionalized with a who’s-who of future Hollywood big shots (Danny DeVito and Christopher Lloyd, for starters), and proceeds to turn the loony bin upside-down. But after two hours of civil disobedience, Jack crosses the line when a fellow inmate commits suicide, and the powers-that-be take drastic measures to make sure he never acts up again. When Jack is returned to bed post-lobotomy, Chief steals over to him, thinking the two of them are finally going to bust out for good. What happens next is the ultimate bittersweet ending of all-time.




BONUS

Sixth Man: “City of Angels”

I never said these were my favorite movies of all-time, just my favorite endings. For 90 minutes I thought this was the dumbest movie I had ever seen. I figured some big shots were sitting around a table in Hollywood when someone said, “Hey, how about Dennis Franz bodysurfing naked? What kind of movie could we build around that?”

They built “City of Angels”. Nicolas Cage (an angel) lusting after Meg Ryan (a disillusioned surgeon) for two hours until he decides to give up immortality so he can get busy human-style. The morning after they finally get their groove on, she goes for a bike ride and runs into the back of a logging truck and dies, then Nick decides to take up body surfing. Roll credits. It can’t make the starting five, but it deserves notoriety as “greatest unintentionally classic ending of all-time”.



Bench Players: “American Graffiti”, “The Empire Strikes Back”, “The Godfather”, “Easy Rider”, “The Blues Brothers”, “The Great Escape”.

Monday, September 17, 2007

Origin of the Species

I was thinking the other minute, "hey, maybe one of my five readers might be interested in seeing the clip that inspired the name of my blog."

Then I thought, "nah, I'm sure they probably already know."

Then I thought some more, and said, "it still might make for a good post" to no one in particular.

Then I thought, "I'd better be careful. It's 1:30am, and in my current state of mind I'm liable to post something really stupid and embarassing."

Then I sat silently at my computer for a few seconds, watching my bootleg "Wonder Years" episodes continue to transfer onto my desktop from my roommate's external hard drive.

Then I thought, "will my readers justify my having bootleg 'Wonder Years' episodes with the understanding that since the DVD release of the series will likely be held up for several years due to soundtrack copyright issues, the only way to see the old shows is through the ABC Family Channel bootlegs?"

Then I thought, "oh yeah, this post is supposed to be about the wounded mosquito title", and I figured I'd better patch in the "embed" code and get this post online.

Thursday, September 13, 2007

Impostor Potter infiltrates local theaters

Layton, UT – Avid Harry Potter fans and local moviegoers have been duped. All along the Wasatch Front, reports are pouring in of impostor Harry Potter films showing up in local movie houses.

The substitute film, dubbed “Larry Potter”, has been fooling locals into buying tickets, thinking they were going to see the newest Potter franchise release, “Harry Potter and the Order of the Phoenix.” But instead of Harry’s fifth year at Hogwarts, complains Hyman Roth of Kaysville, “I get three hours of home improvement videos with some fat guy in a plaid shirt.”

Apparently “Larry Potter” is a collection of how-to home repair videos spliced from old episodes of “This Old House” with Bob Vila, patched together with music video footage of kids skateboarding in front of Davis High School. The entire package comes in at close to 180 minutes, and according to Cineplex Odeon manager Luca Brasi, “has been raking in the dough.”

“I was a little suspicious at first,” explains Luca, “this late in the season I would have thought Harry 5 would be over at Sugarhouse, bringing in six bits a head. But then I just figured they were re-releasing it with some new CGI or something to squeeze a few more bucks out of these kids.”

Reaction up and down the Wasatch Front has ranged from confusion to outrage. "I'd missed the last couple movies," said North Salt Lake resident Peter Clemenza, "so I didn't catch on right away. I just figured Daniel Radcliffe had put on some weight and gotten really excited about drywall."

“I remember all these kids coming out of the theater crying,” said Philip Tattaglia, veteran ticket taker at the Gateway 8 in Bountiful. “At first I felt really sorry for them, but then one of the little (expletive deleted)’s stabbed me with his plastic wand.”

The scam has impacted everyone involved, and placed a particular burden on parents.

“Robbie’s friends make fun of him at school,” said Theresa Hagen of Alpine, as her son stood dutifully at her side outside University Mall Saturday. “They’ve all seen Harry twenty-seven times, and poor Robbie’s still stuck on twenty-four.”

Robbie’s father seemed less concerned. “Best movie I’ve seen all year,” he said.

Local authorities are hard at work trying to locate the source of the confusion. But so far leads have failed to provide significant evidence.

“We found the same return address on all the film cases,” explained Officer Al Neri of Draper, “but it turns out that 1060 West Addison in Chicago is the address for Wrigley Field, so now all we’ve got to go on is the skateboarding footage.”

The footage may turn up some progress, however. “One of the boys at the station recognized one of the skateboard clips from YouTube,” said Officer Neri, “and we were able to trace it to a user that goes by ‘halfpipemama88’. We’re pretty much stuck from there, though. We do know that she lists ‘Indian Thriller’ on her favorites list. Maybe that means something?”

In the meantime, local theaters have been sheepishly removing “Larry Potter” from their marquees, and trying to find ways to make up the damages to all the disappointed youngsters.

“We were thinking about dressing up one of the projector operators as Voldemort and sticking him in a dunking booth,” mused Century 16 manager Carlo Rizzi, “but we wound up giving the kids a bunch of free passes to see ‘Die Hard’ instead.”

---

(The above article is intended as satire. All quotes and references are fictional.)

Wednesday, September 12, 2007

Three movie reviews in under three minutes

Thanks to a run to the Redwood Drive-In and a late night pop-in at Sugarhouse, I knocked off three movies last weekend. Here are the results:

Ocean’s 13
2 ½ stars out of 4

Every time I see one of the “Ocean’s” movies I feel this need to go clothes shopping. For a T-shirt and jeans guy, that’s a strange thing. Nevertheless, there is no denying that one of the strongest aspects of the whole series is style, from the clothing to David Holmes’ soundtrack. It’s almost enough to make you cheer for the bad guys.

Of course, in “Ocean’s 13”, the bad guys aren’t really the bad guys. This time around they’re trying to get even with Al Pacino for snaking Elliot Gould out of a new casino deal and leaving him on his deathbed. Given Al’s history of dealing with business partners (see Moe Green, Hyman Roth, and his brother Fredo), maybe the Ocean’s boys should have just considered Elliot lucky and left alone.

But that wouldn’t be a very fun movie, would it?

Bottom line: another fun installment in a fun series. Rated PG-13, mostly for having to sit around for an hour without a clue what anyone is talking about before they finally start executing the big plan.

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The Invasion
1 ½ stars out of 4

At first I thought this film was a re-make of a re-make; then I found out it was a re-make of a re-make of a re-make. First there was the 50’s version of “Invasion of the Body Snatchers”, then there was the late 70’s version (with Leonard “Call me Spock” Nimoy), and apparently there was a version in the 90’s called “Body Snatchers”.

I never saw the last one, but can’t imagine it offered anything I haven’t already seen in the other two (and now three) movie versions of the classic original novel that I haven’t read. It’s the kind of thing that makes me wonder how Hollywood continues to function while people like me spend their time writing blogs no one reads.

Three years ago, I would have seen this movie for Nicole Kidman alone. But now she’s married to some country dude and I’ve pretty much lost interest. After the movie was over, I still felt the same way.

Bottom line: watchable but unoriginal, rated PG-13 for lots of vacant zombie looks, shots of zombies hacking up alien spores, and having to watch James Bond utterly powerless.

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Stardust
2 stars out of 4

“Stardust” is one of those movies that reminds me why deep down I’m really just not a huge fantasy guy. Kind of a funny thing for such a big “Star Wars” and “Lord of the Rings” fan to say, but when I look at it, I’ve really enjoyed the big franchises and a lot of Sci-Fi movies, but when it comes to stuff like “The Neverending Story”, I just kind of shrug. Maybe “Star Wars” and “LOTR” are more rooted in classic mythical archetypes, making them accessible to all people regardless of persuasion. Maybe I just have discerning tastes. Maybe “Stardust” wasn’t all that great.

“Stardust” made me shrug. It had some good moments, some decent performances from folks like Michelle Pfeiffer and Claire Daines (and a really unnerving one from Robert DeNiro), but I can’t say there was much of anything from the movie that will stick in my mind six months from now. Pfeiffer will still be Catwoman, Daines will still be Juliet, and DeNiro will still be the taxi driver.

Bottom line: pretty good date movie, more of a dollar flick than a first-run, rated PG-13 for having to see Claire Daines without eyebrows and Robert DeNiro in a dress.

Friday, September 07, 2007

Why I Hate Country Music

It's hard to pinpoint the exact moment it happened. Maybe it was the first time I saw that trucker crying in his beer while the Blues Brothers sang "Stand By Your Man." Maybe it was the first time I got stuck in the fast lane behind a dualie. It could have been back when I worked at the Delta Center ticket office and saw the entire cast of "Deliverance" buy Randy Travis tickets over a six-week period. All I know is that as hard as it is to quantify, the feeling is absolutely real.

I hate country music.

But then again, it’s just not enough to say that I hate country music. It’s not enough to say that I despise country music.

It’s not enough to say that when the best output from an entire musical genre in the last 40 years came from five drug-addicted British rockers back in the '70s, that genre sucks.

It’s not even enough to quote that stand-up comedian from the early '90s who said “country is the Special Olympics of music,” because that statement would be offensive to the Olympians.

As far back as I can remember, I have carried a deep, almost blind loathing for contemporary country music. I hate it in the same way liberals hate George W. Bush: sure, there are a few token reasons supporting the argument, but they aren’t really a cause as much as they are a justification for a more intense passion below the surface.

It’s kind of like when Seinfeld used to break up with each new girlfriend for some increasingly obscure asinine reason, like eating peas one at a time or because she had “Man Hands.” He didn’t really care about that stuff, and he knew it. They were just excuses, concrete justifications for intangible realities. The real reasons were more personal, more existential.

Here’s my best attempt to explain how country music eats its peas one at a time:

Country Music isn’t really Country Music. I want to get this on the table early: I like REAL country music. Songs real cowboys might have listened to out on the range, like "Tumblin' Tumbleweeds" by the Sons of the Pioneers. Stuff by guys like Johnny Cash and Willie Nelson. I even like a lot of Patsy Cline’s stuff. But somewhere in the late '70s or early '80s (as usual), something went wrong, and country went from The Gambler to Billy Ray Cyrus. Most country today is nothing more than bad pop music with a twang.

Country Music monopolizes traditional patriotism. This is more a shot at mainstream rock than it is at country. I realize that the nature of rock and roll is to be somewhat anti-establishment, and I would be dishonest if I didn't acknowledge my love of '60s protest rock, but how come only country artists write songs that espouse traditional patriotism? Has ANYONE in the rock world written a pro-America song since Neil Diamond? Bruce Springsteen doesn’t count, cause “Born in the USA” is really a protest song. These days, the only “patriotic” songs you hear are Lee Greenwood knock-offs, and the rock world gives us wanna-be protest rock, brought to you by Coca-Cola.


Country Music monopolizes the female population. For every girl I meet that likes The Beatles, there are twenty more that would rather go see Tim and Faith in concert. And for every attractive mainstream rock artist that doesn’t dress like a tramp, there are about four-hundred all-American beauties churning hick tunes out of Nashville. Someday I’m going to meet a girl who will already know that Sam Cooke has the most incredible voice of all time. I just don’t think she’s going to be a Mormon.

Country Music is an epidemic. The day Classic Rock Z-93 converted over to K-BULL 93, I knew that I would always be a musical minority on the Wasatch Front. Whenever I tell a country-lovin’ friend how much I hate their music, they always give me the, “you just need to try it; it will grow on you” line. And I don’t doubt it. Country probably would grow on me, just like cancer or a good heroin addiction.

Country Music inspires poor clothing decisions. Every musical genre has its caricatures: the Goth, the Hippie, the Punk. But I’d take them all next to the mouth-breather in the stiff neon orange striped shirt and the Wrangler Jeans latched up over his small intestine by a belt buckle that doubles as a beer can opener. Only a country music fan would take something as cool as cowboy boots and ruin them by tucking their jeans INSIDE them.



Country Music encourages group conformity. The closest thing I’ve got to a “country exception” are the three or four times I’ve allowed myself to go country dancing, but the only reason for that was because The Code dictates that you are pretty much willing to chew your leg off if it will help you make progress with a girl. But even on those rare occasions, I flee for the walls when “Cotton-Eyed Joe” comes on. As my old friend Brian used to say, “I have no desire to participate in an activity which reminds me of Nazi’s.”

Country Music almost cost me my construction job. The “Twang” is the great undefinable “attribute” that makes country so distasteful to so many. I’m still not even sure how to quantify it. Is it the steel guitars? Is it the awful lyrics? Or is it the fact that in the country world, I’m not a “man,” I’m a “may-un?” Either way, all I can say is that the Twang alone brought me to the verge of quitting the same job twice in the same summer. Working construction for $8 an hour a month after finishing my Master’s Degree was humbling enough; having to listen to “The Drinkin’ Bone” while doing it was intolerable.

* * *

One Saturday in Logan a friend of mine walked up to me with a big grin on his face as his new country mix CD blared behind him. We were getting ready for the annual “Cowboy Date” my roommates had been putting on for several years before I’d moved in. I only participated because The Code dictated that if I had the chance to spend an evening with Hailey Gray*, then I’d willingly debase myself to do it.

He asked me if I liked his music mix. Actually I think he said something like, “isn’t it great?”, no doubt expecting me to chime in automatically with the rest of my roommates who thought country music was downloaded directly from Heaven along with the EFY soundtracks.



Sometimes people can justify a white lie. Sometimes you can tell someone their hat looks nice when it really looks like a cat with brain damage. I’m not very good with lies, so I couldn’t just say, “yeah,” and walk away. But at the same time, I couldn’t say, “I think country is the most reprehensible batch of garbage I have ever encountered,” either. So I just kind of mumbled and avoided eye contact until he moved on.

Two months later, Hailey stopped returning my phone calls.



So maybe I hate country music because it is a symbol of my social alienation and romantic futility. Maybe one man's opinion really is as valid as the next's. Maybe country music enriches the diversity of our great nation, celebrating our broad culture and freedom to wear really tight pants and dance in straight lines.

Nope. Just because you're entitled to your opinion doesn't make that opinion valid. Bad taste is real. Country sucks.

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*Name changed in case she got married or something.

Tuesday, September 04, 2007

Jon Voight hates my people

Dear Jon Voight,

Last spring I saw a clip on “The O’Reilly Factor” that said you were going to be in a movie about the Mountain Meadows Massacre. I was miffed, but I forgot about it, because I don’t spend lots of time thinking about dumb anti-Mormon movies during the day.

Now the movie’s out, and my fears are confirmed: Jon Voight hates my people. And so does General Zod.

What did I do, Jon? Where did I let you down? After all we’ve been through, after so many memories, why this?


Why, after I was so worried when the inbred guy with the teeth was going to shoot you in “Deliverance”, but then luckily you got him first with your arrow?

Why, after I cried with you in that New Jersey bar while you pointed to Derrik Zoolander on the TV and said, “that’s my son, that’s my son”?

And why, after the time you bit Kramer’s arm on “Seinfeld” and almost got me to start an “I Love Jon Voight” fan club?

After all those memories, how could you star in this crap movie? Why screw up such a great track record?

Has the pressure gotten too great? Did your agent take a vacation? Have you struggled to find direction since the falling out between you and Brangelina? Why take it out on the Mormons, Jon?

I’ve been watching interviews you did on important media outlets like CNN, Fox News and “The View”. You keep saying it’s important that the truth be told, but then you said you did your background research on the Internet. Come on, man; I expect more from a guy who played the Pope. I expect more from my eighteen-year-old English 1010 students.

Speaking of the Internet, have you ever read the Rotten Tomatoes Web site? Maybe you should check it out. Apparently “September Dawn” isn’t exactly “Citizen Cane”. According to the Tomato-Meter, it’s not even “Rush Hour 3”.

Do you know why, Jon?

It’s because even movie critics can see through “September Dawn”. They all know it’s a pathetic attempt to make Mormons look bad, and you’re front and center in the production, along with General Zod and Uncle Rico. You’re breaking my heart, Jon.

You can claim that the movie isn’t meant to reflect on current members of the church, but you have to know better than that, Jon. Do you think that after watching “Big Love” on HBO, informed viewers sat back and said, “hmmm, this satire is a clever poke at a radical fringe element of the Church of Jesus Christ of Latter-day Saints who continue to espouse a doctrine that was officially disbanded over one-hundred years ago”?

No, Jon, they sit back and think, “Man, Mormons are weird. I’m totally voting for Rudy Giuliani.”

Do you think that after watching “September Dawn” people are going to say, “Ah, this cartoonish depiction of the Mormon sect is a powerful metaphor for the dangers of religious extremism. It’s a good thing Mormons today are so well-grounded, like that Napoleon Dynamite guy.”

No, they’re going to sit back and say, “Dude, no wonder the Jazz can’t get any good free agents.”

Actually, from what I can tell, most viewers are going to sit back and say, “what the h--- was that?” But then again, that’s just judging by the Internet.

I’m not saying the attack never happened. Even the church (meaning the real one, not the horned polygamist one) freely admits that. But I don’t think that’s what “September Dawn” is about. I think it’s about taking shots at a group that is outside of the “protected” sphere.

Jon, I want to cut you a break because I haven’t seen the movie. It’s rated R, so I’m going to have to wait a year or two until the cut out the naked bits and put it on cable. But I don’t know if I’ll feel any better then. Next time you get steamed when some journalist starts going through your closet, remember the ones you went through yourself.

Love,

Josh

Habanero Time!

On the way up to Island Park for Labor Day Weekend this year, I stopped in Perry, Utah, to pick up some local produce to make homemade salsa. They had habanero peppers 10/$1.00, so I grabbed a bag. On Sunday night, my buddy Brandon and I decided to have a "Pepper-Off" to see if we could take the things straight. Here are the results:

Thursday, August 30, 2007

Completed UEMA Spots Online

For anyone that is interested, last summer's stint on the "B All Over" show is currently in limbo while KJZZ figures out what to do about a second season. In the meantime, I recently finished up a series of spots for the Utah Emergency Management Association. They were co-written by my former student Dawn Black, who recruited me for the job after taking my accelerated Summer English 2010 course (the one where we met five consecutive Fridays from 8am to 3pm).

Anyhoo, here are two of the spots, a pair of "Public Service Announcements" dealing with Emergency Preparedness.





You can also link here to see a third spot, a Man on the Street piece we filmed in downtown Salt Lake.

Tuesday, August 28, 2007

Kris Novoselic is my hero!



Came across this one a couple of days ago. It is probably the only "memorable" moment of the MTV Video Music Awards I ever caught live. Watching it again brought back a few memories, and inspired the following observations:

1. I still have a soft spot in my heart for Kurt Cobain. Honestly, I never really got into Nirvana past a certain point. Their music was pretty good, but I never liked it enought to actually buy a CD. Still, I will always be grateful to Kurt and Co. for almost singlehandedly driving the world of Butt Rock into an oblivion of reunion tours and reality television.

2. Kurt wants to be cool by looking like he doesn't want to be cool. With all due respect to the dearly departed, Kurt's half-cocked guitar smashing and amp tip-over at the end of the song is unbelievably lame. Besides being flat out ineffective and 25 years past its time, Cobain himself acts like he doesn't even want to do it. It's as if someone paid him off to be wild on stage and in the heat of the moment he decides, true to his nihilistic nature, to only sort of goes through the motions. Weak, very weak.

3. Dave Grohl's "Hi Axl" taunt is both hilarious and oddly ironic. While Cobain is halfheartedly tipping over a stack amp and Kris Novoselic is staggering around the stage (see item #4), Dave Grohl inexplicablly approaches the front of the stage and starts taunting Axl Rose. Now, besides just being funny, what I find interesting about this move is that it was supposed to be symbolic (I assume) with the young rebel calling out the staid pop icon (think Sex Pistols vs. Pete Townshend and "Who Are You"). But nowadays Grohl heads a mainstream band himself, and would be ripe for the picking should a hot dog young drummer decide to give his medicine back to him. Curious...

4. Novoselic clocks himself: best all-time Nirvana moment. There's really only one reason I'd even bother posting this clip on my blog. Not out of honor to Cobain. Not because of the "Hi Axl" taunt. Not even because it's an example of how the "new rebels" paled in comparison to the "old rebels". Nope, this clip gets a spot of honor simply because at the end of the song bassist Kris Novoselic tosses his guitar to the sky and watches helplessly as it comes down and knocks him out cold. Seeing him stagger around the stage like a dazed boxer was so funny I couldn't even laugh at it. It was too hard to believe. You just sat there staring, wondering, "did he really do that"? "Could he be faking it?"

Nope, it was real. One of the few real moments the MTV VMA's have ever seen.

Confounding the Uber-Nerd

By normal standards, my nerd resume is pretty full.

1. I wear glasses.

2. I don’t tan.

3. I love Star Wars (I saw “Return of the Jedi” 19 times during the summer of 1983, though granted, I was seven at the time).

4. I waited in line at Wal Mart for an hour and a half at 1AM to buy the seventh Harry Potter book, and read it within four days.

5. Worst of all, I just got back from driving 1,000 miles to San Diego so I could meet SciFi author Ray Bradbury at a comic book convention.

That stuff is really just the tip of the iceberg. But even a full nerd resume would reveal at least one gaping hole: gaming.

I’ve never really embraced video games. Lots of my friends have. They seem quite happy about it, also. Even jocks love video games. But I don’t.

I had my moments. One time in a burst of spontaneity my parents picked up an original edition Nintendo, to the utter shock of my sister and I. For years our friends and acquaintances had been stockpiling a three-year supply of gray game cartridges to go with their families’ food storage, and Katie and I had only occasionally sampled their wares.

For the next two months I became obsessed with Super Mario Brothers, until I finally passed the dumb thing while staying home sick from school. I was so excited I jumped up off the floor, swore, and knocked over my glass of orange juice. Such was the joy of getting past that stupid dragon in world 8-4.

I played Super Mario 2 and 3, but never put any real time in on them, and eventually my interest in Nintendo gave way to my wistful dream of winning Super Bowls as a DB with the Oakland Raiders. But I never made it to the NFL, either.

What I did do was eventually parlay my childhood interest in art into an interest in computers, which eventually led me to buy a Mac. I picked up a G4 in 2000, then paid cash for an Intel iMac last November. When I did, I soon discovered a feature called “Widgets”, little icons for your desktop that perform random functions. Things like mini-calendars, quotes-of-the-day, stuff like that.

A quick perusal of the Apple Web site revealed a number of free Widgets to download, and soon I filled my computer screen with them. I had the animated lava lamp, the Chuck Norris quote machine, and a special meter that showed me the “cheapest” gas prices in my area.

But I also picked up one that let you play the old Atari game “Asteroids”. It was a simple little thing, with basically the same display as the original from 25 years ago. You were no more than a little triangle in the center of the screen that shot at the blobs that came at you. I loved it for its simplicity; it was almost an anti-game for the anti-gamer.

But then I loved it too much. What first was a novelty quickly became a toy for break time. Then I started firing it up when I just didn’t feel like working. As my scores climbed past 100 and 200,000 I began to gain confidence, and refused to stop until I had achieved certain base-level scores. My competitive instincts began to flare up, and soon I was mouthing off to my computer, as if it were responsible for my humiliation and poor showing. On a couple of exciting runs I blasted my way past 300 and 400,000 points, only to be thwarted by an overwhelming barrage of asteroids and those teeny little ships that would fly around the screen and shoot at you while you desperately tried to hit them with your painfully inaccurate blaster.

Finally I realized what was happening to me, what might continue to happen to me if I didn’t stop. I was a well-rounded guy, I played sports, I dated. But if I allowed myself to get into this, if I even hinted at becoming a “gamer”, it would all be over. I couldn’t face complete and total nerd-dom. More importantly, I couldn’t let a Widget keep me from the work I was supposed to be doing.

So I sat down for one final round, vowing to delete the Widget as soon as I was done. I wanted to make one more good run, and not get blown up by some errant asteroid fragment or because the computer didn’t re-start my new life until I was just about to get shot by one of those mini-ships again. No, my last hurrah would be legit.

Round by round I pulverized the lo-tech asteroids that flew through the screen. Loud booming crashes sounded from my computer speakers and sub-woofer as big asteroids were shattered into little ones. Wails came from the little spaceships that tried to gun me down, but I destroyed them all as I marched towards my finish line.

As if to tempt me, as if to say, “Josh, you have a future in this…keep playing!”, I reached 445,200 points before losing my last man. Only the second time I ever got past 400,000. It may have been my all-time record, but thank goodness I never got into this thing enough to actually write down my final scores.

Satisfied, I clicked on the “Manage Widgets” button at the bottom of my screen and trashed “Asteroids”. The day may come when I opt to fully embrace the total Uber-Nerd inside me, when I can no longer resist the temptation of full membership.

But it will not be this day.

Monday, August 27, 2007

The Retro Review: The Wonder Years

3 ½ stars out of 4

Thanks to the miracle of modern DVR technology, I’ve been able to watch about two-dozen old episodes of “The Wonder Years” over the last week. It’s been great to catch up with an old favorite—the shows haven’t aged at all—but it does bring to mind some frustrating issues.

I’ve always felt a kinship to the Kevin Arnold character: we were both about the same age, we were both short, we both had friends but never widespread popularity, we both dug 60’s music, and we were both delusional optimists. The only real difference was that while he actually got to date Winnie, my only female interaction was staring at (name deleted)’s legs between 3rd and 4th period.

I never had an older brother (or a blonde hippie older sister), but Wayne was a great metaphor for how you always seemed to take it in the nuts when you were that age. At work, at school, with girls, everywhere. Junior high is truly an era we’d all like to forget on one hand, and at the same time the source of some of our fondest memories.



Watching all these old episodes made me smile a lot, and actually laugh out loud a time or two. But one issue kept popping up again and again, and refused to go away:

Why, why, why didn’t Kevin ever just go after Madeline Adams?

I don’t know, maybe it was in Winnie’s contract. Maybe they couldn’t figure out how to take her footage out of the opening title sequence. But for the love of all that is holy, could someone explain to me how when given a choice between a cute girl that dumps you on a regular basis and a drop-dead gorgeous girl that is constantly vying for your attention (yet has the mature presence of mind to sneak you back your engraved bracelet in a way that your girlfriend—her competition—won’t be suspicious), Kevin constantly chose Winnie?

Let me emphasize here: this woman basically looked 21 when she played 14. The photo at right is pretty much exactly how she looked at the time. But again, it wasn’t even just looks. With Winnie, it was all drama, all the time. All miscommunication and bizarre behavior, past issues leading to lash outs and multiple scenes where “God Only Knows” played in the background while Kevin watched her leave and Daniel Stern intoned, “she was gone”. All Madeline ever did was ask Kevin to taste the chocolate mousse on her finger and tell him to man up and make a choice.

I don’t get it. I just don’t get it.

Yeah, yeah, I know: Kevin loved Winnie. They were lifelong friends. He was a masochist. And yes it’s true; at thirteen, you really don’t get it all the time, if ever.

I’m sorry, but it’s just depressing.

Kevin should have given Winnie the heave-ho and gone headfirst into Madeline World. He probably would have gotten the shaft once they got to high school, but how could that have been any worse than what Winnie put him through? Winnie could have started dating Paul (they actually did in one episode—kind of), and might have saved him from becoming Marylin Manson.* Wayne might have actually respected Kevin for his hot girlfriend and spared him years of mullet-enhanced abuse, which would have created a stable home life that Karen might not have rejected for all her hairbrained hippie ideology. She might have stuck around, got a teaching degree, become a Mormon, and married me.

Now that would have been a great show.


*Paul isn’t really Marylin Manson. The kid from “Mr. Belvedere” is.

Sunday, August 26, 2007

Brand-New Metaphor for Dating Woes

In a recent conversation with her bishop, my sister lamented the state of dating in her student ward, and in the general singles scene. It seems that the young adult population is filled to the non-alcoholic brim with eligible young males and females, and yet only a small percentage of said candidates are hooking up.

His inspired response was to comment that there are a number of single females out there that are like computer software: everything is programmed, packaged, and ready to go; all they need is a computer to upload into to get started.

As I reflected on this metaphor, I realized that not only does it serve as a comfort to the eligible female tired of waiting for Mr. Right, it also explains why I too am still single, despite my eligible-young-male-who-on-more-than-one-occasion-has-been-said-to-look-like-Bruce-Willis-status.

Simply put, in a world of PC's, I am a Mac. Which means...

1. I attract only 4-5% of the market. Apple has consistently only tallied a small percentage of total computer sales. This year they are showing a 26% increase overall, but this only brings their total market share up to about 5 and a half percent. In dating language, this means that in spite of obvious style and performance advantages, most girls are still going after Dells (accountants).

2. Most girls are not compatible with me. Most software is only designed for PC's. This is obvious from any stroll through CompUSA. The vast majority of the population couldn't "get" Mac's even if they wanted to.

3. I possess superior styling, performance and charm, but girls fear change, and thus stick with the cheaper product. It is well documented that Mac's cost considerably more than PC's, which is an understandable deterrent. But if you want to do anything with your computer other than run TurboTax, a Mac is the way to go.

4. I am most compatible with people that appreciate the arts and media. Visit most any advertising agency, graphic design company, or film studio, and you will see without fail: they use Macs. Visit an office full of civil servants, and you will see PC upon PC, running subtle variations of a staid Windows display. (Funny exception: often on TV and in movies, government employees use Macs. I have been a government employee. They never use Macs.)

5. After fifteen years of dating, I have stooped to using computer metaphors to justify my single status. That's the bad news. The good news is that thanks to innovative cross-compatible products like iTunes, iPod and iPhone, (IE, my great taste in music/culture and an increasing awareness of my improved practicality), Macs are catching on, and making steady gains in the market. So the short term may look bleak, but the future is an LCD million-color dream.

Friday, August 24, 2007

Juror #39 has left the building

For most of my life, Jury Duty was one of those running gags that other people had to deal with, like death and taxes. Technically I always knew it would be a possibility, but so was getting called out of the crowd to play point guard for the Jazz, so I dismissed it.

Then late last spring I got my first call to duty. I wasn’t thrilled with it, but at least I figured I could probably work it in, since I was just about to walk away from my “regular” full-time job and start a freelance run.

The first call turned out to be a false start: my assigned case never went to trial, and the nice recorded voice on the Frank E. Moss Courthouse answering machine told me they’d try me again down the road. Then two weeks ago they nailed me again, and this time I actually had to show up.

I started to feel the ambivalence of jury duty: the feeling of obligation to one’s country clashing vehemently with the selfish desire to be left alone. Every experience I’d had in court was a negative one. After Judge Jensen passively charged me forty bucks for driving across Smoot Park on Prom Night when I was seventeen, I’d never been given any slack in traffic court. Plus I hated “Matlock”.

According to some of my lawyer friends, I still had a good chance of squeaking out of duty, though. My friend Nathan told me he’d never put me on a jury, because I’d over-analyze everything. Plus they always called in about four times more people than they needed, so the numbers were on my side, too.

Finally last Tuesday morning I showed up at the courthouse, resigned to do my bit if called on. I was reminded of Jack Warden’s character in “12 Angry Men”, the guy with baseball tickets that wanted to rush through the deliberation so he could make the opening pitch. I wondered if viewing that film in every English 2010 class I taught would make the lawyers hesitant to get me on their jury.

I toyed with some remarks I might use to rile things up a bit:

“Your honor, I believe in true equal opportunity under the law. I am prejudiced against all races, creeds and classes equally.”

“I would never trust any lawyer with a goatee, and especially one who advertised on the cover of the phone book.”

"If we vote in favor of the death penalty, can I stick the execution on my YouTube page?"


But once I arrived, I knew I didn’t have the heart to use them. From the time I arrived at the front security check-in, I was overwhelmed by how graciously everyone acted. Even the security guards seemed to be grateful that I was taking time out of my “busy” day. The orientation lady practically gushed over our willingness to show up, as did all the bad actors on the orientation video.

Most surprising of all, the judge himself bent over backwards to tell us how good we were to come down, and how grateful he was for our different sacrifices. Besides Judge Jensen, every traffic court judge I’d ever met looked at me like I was a worm, though after sitting through the few cases I’d heard before me, I could hardly blame them. But this guy was actually happy.

We’d all been assigned juror numbers before entering the courtroom, and after briefing us on the circumstances of the case, Judge Kimball had us all stand up and introduce ourselves, so he and the attorneys could get a feel for whether we’d be good jurors. It was a broad cross-section of mainstream America, though surprisingly at #39, I was the first person of the group to have a graduate degree.

Since the case involved law enforcement testimony, I told the lawyers during the side bar that I’d been teaching firefighters for two years. But it turns out that even that didn’t matter, because when the Judge read off the names of the winners, they all came from the first twenty in line. They never would have got to me anyway.

So five minutes later I walked out of the building with the other “thanks, but no thanks” folks, not sure whether I should be happy to have gotten out of the case. I was grateful that I still had most of the day to get some work done, but at least I felt that I would have gone through with the task if called on. Jury Duty still didn’t sound like a fun option, but it was good to know the people involved were so understanding about all of it.

Judge Jensen would have been proud.

Wednesday, August 15, 2007

Bourne is the New Black

The Bourne Ultimatum
Three stars out of four

My buddy Spence didn’t like the first “Bourne” movie. We discussed the matter while riding longboards through the streets of Huntington Beach, California at 1AM. While he felt the film lacked coherence and personality, I enjoyed it enough to lay down ten dollars to see it a second time up the coast in San Francisco.

That was five years ago. I haven’t gotten Spence’s feedback on “Ultimatum” yet, but all I can say so far is that I dug it. A lot. Enough to spend $8.25 to see it a second time at the Layton Hills Cineplex Odeon the day after I saw it the first time. (I don't know whether to be happy that five years later Utah's ticket prices are still $1.75 cheaper than SF, or to just be mad that I have to cough up eight bucks to sit in an uncomfortable chair and watch five Coke commercials and put up with text messagers for two hours).

For me, the Bourne series has gotten better as it has gone along. As much as I enjoyed the first installment, “Identity” has continued to pale in comparison to the subsequent films. Mostly I think this is because the first film had the burden of establishing the story, whereas the other two just got to run with it.

Too bad that wasn’t the case with all sequels.

Like “Supremacy”, then, “Ultimatum” benefits from an established background and rewards us with lots of chase scenes and intense action, mixed in with a bit of plotting here and there. Matt Damon does his cold ex-assassin thing as usual, dispatching bad guys (but not killing them) with efficient precision on his way to finding out what made him such a tough guy in the first place. He also keeps up his pattern of always wearing all black all the time, which as far as I can tell makes him much more intimidating and "assassin-like".

Now that he’s figured out who he is and apologized to the last remaining family member of his first victim, “Ultimatum” is all about recreating Bourne’s initial decision to enter the original program. Without giving too much away, it involves Albert Finney, who turns in a brief but stunning performance that further cements his place on my all-time favorite actor list (along with Gene Hackman, Christopher Walken, Alan Arkin, and several other entertaining old white dudes).

Incredibly, the third film manages to amplify the breathless pace and brutal (yet bloodless) violence even more than the high standard “Supremacy” set. A bathroom fistfight with another “asset” (insider code for “brainwashed dude who’s been turned into a black ops killing machine") leaves the viewer stunned, as well as Julia Stiles, who plays the sort-of love interest this time around.

Ideally, “Bourne Ultimatum” should be paired at the drive-in with “Live Free or Die Hard”. The latter is a great example of a fun over-the-top action flick with tongue firmly planted in cheek. The former is the same thing with less tongue. Both are a blast.

“The Bourne Ultimatum” is rated PG-13 for brutal fisticuffs (which means fist fights, I think), tons of broken glass and screeches, cold stares from Damon and 120 minutes of hand-held camera work.

Tuesday, August 14, 2007

God Bless You, Mr. YouTube

On a hunch I decided to see if one of my old obscure favorites was on YouTube. As is usually the case, it is.

The following is a parody of "Close Encounters of the Third Kind" which originally was featured on the VHS parody compilation that included "Hardware Wars". In the time since, "Hardware Wars" has been released multiple times, but "Closet Cases of the Nerd Kind" vanished into obscurity (unless you could cough up the hundred bucks to buy an old VHS copy on eBay).

But again, thanks to YouTube, here you go. Enjoy.

This is part one:


And here's part two:


But that's not all...the same compilation included a parody of "Apocalypse Now", which made absolutely no sense whatsoever to me at the age of eight, but instantly became hilarious after reading Heart of Darkness in Nona Horsley's AP English class at Viewmont High School and subsequently watching "Apocalypse Now" at 2AM following a Phil Collins concert.

Here it is, in three installments:




And last but not least, the shortest member of the compilation, "Bambi Vs. Godzilla".


God bless you, Marv Newland. And God bless YouTube.

Monday, August 13, 2007

See everyone? Prison can be FUN!

This footage comes from a prison in the Phillipines where apparently part of the rehabilitation process is forcing inmates to re-create choreography from Michael Jackson videos.



I'm just trying to picture the scene in the lunchroom where one guy goes, "hey everyone, I've got an idea! Let's do a re-make of 'Thriller' and stick it on YouTube!" Two tables over, another guy goes, "I want to play Jacko's girlfriend!", and the ball is off and rolling...

Nostalgia Strikes Again: Air Flight 89’s and Godfather Metaphors

A few basketball-related thoughts and observations from the last few days:

1. Back in the eighth grade I could identify 75% of the male population of Centerville Jr. High by the basketball shoes they were wearing. This came partially from the fact that I spent most of my Jr. High experience looking at the ground out of fear and a maladjusted puberty-inspired inferiority complex, but mostly because in the heyday of the Nike/Reebok/Converse era, basketball shoes made the man, especially the prepubescent man.

The reason I bring this up is that last weekend I caved in to one bit of unfulfilled business left over from that era: the Nike Air Flight 89’s. Back then the 89’s held second place only to my coveted Air Jordan IV’s on my list of “basketball shoes I wanted but couldn’t afford”. The Jordan’s were up in the $115 range, and were way too far out of bounds for a kid who struggled to work enough at his summer farm job to pull down $25 bones a week. But the 89’s were more in the $90 range, and thanks to an inside tip, $65 if you ordered them through the local Village Sports Den outlet.

$65 was within range, but in a harsh twist of fate, the Village Sports Den option never panned out, and I was left only with a dream, along with a pair of Adidas low tops that were functional—and black—but just not what I wanted.

Until last weekend. In recent years, Nike has re-released a number of their old classic models with slight style modifications in an effort to cash in on the retro trend. (Also, I suspect, because 95% of their shoe designs over the last fifteen years have sucked). To my surprise, the Air Flight 89’s were reborn, and up at the Layton Hills Mall Foot Locker, I completed the circle that started eighteen years ago.


2. The NBA has been up to its composite-grain eyeballs in controversy in recent weeks, what with the refereeing scandal and the Garnett trade. I’m actually rather pleased with the ref scandal, since it’s called attention to so many bogus non-calls over the years (Jordan pushed off in ’98!)

But the story that makes me smile is hearing that Penny Hardaway signed with the Miami Heat, bringing him back together with Shaquille O’Neal for the first time since their early days in Orlando back in the 1990’s. It reminds me of one of my favorite Shaq-isms, where he compares his NBA sidekicks to Vito Corleone’s sons in the Godfather movies. Kobe Bryant is Sonny, Dwyane Wade is Michael, and Penny is poor Fredo.

I’ve often thought that my mission greenies—my own “sons”, if you will—fit into the same pattern. To do so I have to omit one of them—I had four greenies—and so Hamilton is out. We’ll just assume he was in his home town of Valencia when Jack Bauer failed to stop the nuke on “24”, taking him effectively out of the picture.

Which leaves the following:

Sonny: In “The Godfather”, Santino was Vito’s firstborn, a passionate hot-tempered James Caan who punched first and asked questions later. In fact, he even asked questions when he shouldn’t have, too, which led to Solozzo’s attempt on Vito’s life when he was out in the street shopping for oranges. My second greenie, Elder Vinson, was actually two years older than me, and was similarly passionate. We never got into any fistfights with anyone while we were together, and I was never shot next to an orange stand, but by virtue of his age and his temperament, Vinson is my Sonny. If I had any companion who would be most likely to get shot 56 times in retaliation for beating up his sister’s abusive husband, Vinson’s the guy.

Fredo: Poor, poor Fredo. He always wanted to be someone big in the family, but things just never worked out for him. In fact, bad things always seemed to happen around him. He was on guard when Vito got shot, and he gave in to Roth and the others when they tried to assassinate Michael in “Godfather, Part II”. Based on his good intent and unfortunate track record, Elder Clark gets my nod as Fredo. In our three months together, Clark got hit by three different cars. He got two flat tires within sixty minutes of each other. He shredded a brake cable. I’ve never seen anyone shred a brake cable. And this is after spending part of his childhood in a nudist colony. When I think back on most of my companions, I wonder what they’ve accomplished in life: whether they’re married, if they have kids, where they’re working, etc. When I think about Elder Clark, I wonder if he’s dead.

Michael: This choice is easy. Michael was Vito’s youngest, and Elder Tubbs is my youngest. His combination of humility and confidence, not to mention natural ability, makes Tubbs the easy nod for taking over the family business. The scary thing is that after two months of pounding the pavement in South Chicago together, I realized that down the road if I could find a much more attractive female version of Tubbs, I should marry her. That’s how well we worked together.


3. Last night I had an existential experience playing “Around the World” in a friend’s backyard. I’m trying to decide whether the experience represents any kind of eternal truths, and if so, which ones.

For the uninitiated, “Around the World” is a simple basketball-related game where participants take turns shooting baskets from a semicircle of predetermined positions around the court. When you make a shot at spot #1, you move on to spot #2, and so on. Once you make it all around the semicircle, you work your way back, and the first person to successfully do so wins the game. If you miss a shot, you lose your turn, unless you decide to take a “chance” shot. If you make your chance shot, you move on, but if you miss it you have to go back to the beginning and start over on your next turn. You can also take a “life” shot, which offers the same reward if you make it, but eliminates you from the game altogether if you miss it.

So here’s what happened: over the course of an hour, I won. I didn’t win because I was a better shooter; in fact, I don’t think I was even in the top three or four judging by pure ability. I won because I was the only one who refused to shoot “chance” shots. So I doggedly stayed in my peak position—even if it took me four or five turns to advance—while everyone else kept blowing chance shots and going back to the beginning. Plus the two best players eliminated themselves by missing “life” shots. By the end of the game, several other players took—and missed—“life” shots simply because they were bored with the game and wanted it to be over.

Now, I know that there are many times in life where you need to take risks in order to grow and progress. But given the outcome of last night’s game, I wonder if the “chance” shots didn’t represent those kind of risks, but rather the kind of irresponsible risks associated with “straying from the straight and narrow”. If that is the case, then you could say my victory—and, by consequence, eternal salvation—came by virtue of keeping my “eye on the ball” and “enduring/persisting to the end”, in spite of the many people nagging me to take chance shots who wound up eliminating themselves on life shots later on.

Or maybe it was just a simple game of “Around the World”.

Friday, August 10, 2007

A Manly Guide to Hiking the Zion Narrows!


Of all Utah outdoor opportunities, hiking the Zion Narrows is a must-do. As an official Narrows “two-timer”, I’ve compiled a helpful guide to hiking this national treasure.

Maximize Your Experience

The entire trek spans sixteen miles of winding river terrain. Many choose to hike up a mile or two from the bottom and take a few pretty pictures. But real outdoorsmen navigate the entire stretch, from Chamberlain’s Ranch down to the River Walk. To maximize your experience, my recommendation is to attack all sixteen miles in one day. This will guarantee enough bruises, sprains and hemorrhages to convince anyone you’re a real trooper.

Bring proper equipment:

If you really think you’re going to make it through the Narrows in one day, you’d better bring the right equipment, otherwise Search and Rescue will be hauling your sad corpse out of the river by .


Shoes: Technically you can make it through the Narrows in a pair of tennis shoes. Of course, technically you can put out a forest fire if you pee on it long enough. By renting special quick-dry hiking shoes, not only do you uphold your true outdoorsman image, you also get to look like a dork for the whole hike.
Walking Stick: In the city, this is the tool of old men and pimps, but in the Narrows, anyone who doesn’t bring a walking stick should wear a sign that says “get ready to watch me fall on my butt”. That loud snapping sound you hear is coming from their ankles.


Ugly Shirt: If you feel self-conscious walking around with a cane and moon boots, try distracting your fellow travelers with an ugly shirt. Bright colors are easy for rescue workers to spot, too. No one will notice your geeky shoes if they’re staring at your green “Cuban Soul Revival” T-Shirt.
Dry Bag: Only stupid people try to haul complex electronic equipment like digital cameras on a river hike without bringing a dry bag, and no one sympathizes with them when their stuff is fried by the end of the hike. On the contrary, people do sympathize with a person whose dry bag doesn’t work, and dumps out a liter of water when it’s opened at the end of the trail.

Leave Early

It’s true that a typical marathon takes about three hours to run, but it’s also true that typical marathon runners are hyperactive alien-types with metabolic rates high enough to burn a Taco Bell burrito in 3.5 seconds. Most marathons aren’t run through rivers over algae-covered stones, either. So it’s best to start early, when you’re too disoriented to realize the pain you’ll be encountering later in the day. 5AM should work, but don’t tell everyone in your party. Half the fun is watching the non-morning people reveal their hidden talent for profanity when you wake them up.

Walk Downstream

Hiking the Narrows involves complex navigation through slick rocks and powerful currents, but one factor is working in your favor: it’s very hard to get lost. If you keep moving downstream, eventually you’ll wash up at the end of the trail. If you suddenly notice that your comrades have all turned into spawning fish, you probably should’ve stuck with your treadmill.


Beware of Rocks
The Narrows is famous for its soaring cliffs and dramatic rock formations, but if you spend all your time gazing at them, you’ll snap your ankles like twigs on the slick rocks under your feet. Halfway down the canyon these rocks become more slippery and harder to see, but with a little Ibuprofen, you won’t feel the consequences for days after your trip.

Document the Rich Landscape

No one will believe you hiked the Narrows if you don’t provide photographic proof, and even then they’ll be suspicious in these days of PhotoShop. So make sure to bring a nice expensive camera to document the landscape over the first two-thirds of the hike. No one photographs the last third; they’re too busy staggering over the rocks on swollen ankles to worry about photographing a bunch of stupid rocks.


Take Time to Have Fun

Even if you try to hike the Narrows in one day, you should try to make the most of your time in the canyon. However, even if the water seems deep enough, DO NOT DIVE OFF THE ROCKS. You never know what’s lurking under the surface. And since jumping off the rocks is officially prohibited by the park, ABSOLUTELY DO NOT LET ANYONE PHOTOGRAPH YOU JUMPING OFF THE ROCKS. These kinds of photos make insurance claims really, really tough.
Have fun!