Wednesday, January 19, 2011
Monday, January 17, 2011
Twisted Vibrations
First they told me that the dinosaurs were really birds. Then they said Pluto wasn't a planet anymore.
Now they're telling me I'm a Virgo instead of a Scorpio.
In this case, "they" is some astronomer in Minnesota who says the Earth's alignment with the constellations isn't what we thought it was. And not only are we about a month off our "true" Zodiac sign, but we also seem to have left out a 13th sign, which you pretty much can't pronounce without dropping the F-bomb.
This wouldn't bother me except for the fact that I always thought I had the coolest of the Zodiac signs. Scorpio. The scorpion. I thought that was pretty cool. You know what my symbol is now?
The Virgin.
That is not cool.
So now I'm stuck trying to adapt to my new identity. I used to be driven by passion and power, but now I'm a sensitive soul who just wants to love and be loved in return. No more listening to AC/DC and Led Zeppelin before getting ready to bust heads on the basketball court; now it's all about quiet Barry Manilow tunes and free verse poetry about pine needles and crap. At least that's what Athena Starwoman says.
I really wonder what Whoopi Goldberg thinks about all this.
Now they're telling me I'm a Virgo instead of a Scorpio.
In this case, "they" is some astronomer in Minnesota who says the Earth's alignment with the constellations isn't what we thought it was. And not only are we about a month off our "true" Zodiac sign, but we also seem to have left out a 13th sign, which you pretty much can't pronounce without dropping the F-bomb.
This wouldn't bother me except for the fact that I always thought I had the coolest of the Zodiac signs. Scorpio. The scorpion. I thought that was pretty cool. You know what my symbol is now?
The Virgin.
That is not cool.
So now I'm stuck trying to adapt to my new identity. I used to be driven by passion and power, but now I'm a sensitive soul who just wants to love and be loved in return. No more listening to AC/DC and Led Zeppelin before getting ready to bust heads on the basketball court; now it's all about quiet Barry Manilow tunes and free verse poetry about pine needles and crap. At least that's what Athena Starwoman says.
I really wonder what Whoopi Goldberg thinks about all this.
Tuesday, January 04, 2011
The 2010 Book List
I've often heard that if you want to be a better writer, you need to read. A lot. I've heard that statement often, but I've rarely followed it.
I don't know exactly why, but last year I read a lot more books than usual. Probably not as many as I should have, but enough that I haven't had the time or motivation to write reviews for them all. But even if I may not have enough time to review them, but I do have enough time to list them. I'll include a quick take on each, but you can pretty much assume that I recommend each.
I don't know exactly why, but last year I read a lot more books than usual. Probably not as many as I should have, but enough that I haven't had the time or motivation to write reviews for them all. But even if I may not have enough time to review them, but I do have enough time to list them. I'll include a quick take on each, but you can pretty much assume that I recommend each.
- High Fidelity, Nick Hornby. Fictional story about a 30-something music store owner who doesn't know what to do with the rest of his life (inspired the movie with John Cusack).
- Wishful Drinking, Carrie Fisher. Memoir of Carrie "Princess Leia" Fisher.
- Dave Barry's Book of Bad Songs, Dave Barry. Dave's chronology of bad pop songs; perfect airplane read.
- The Road, Cormac McCarthy. Post-apocalyptic fiction about a man and his son; don't read if you're depressed.
- Fargo Rock City, Chuck Klosterman. Pop culture essayist Klosterman's memoir of growing up as a metal head in rural North Dakota.
- The Dude Abides, Cathleen Falsani. Non-fiction analysis of the religious themes behind each of the films of Joel and Ethan Coen.
- Outliers: The Story of Success, Malcolm Gladwell. Non-fiction/sort-of self-help book on the true nature of success.
- He is I Say, David Wild. Biography of Mr. Neil Diamond by a longtime writer for Rolling Stone magazine.
- The Breaks of the Game, David Halberstam. Non-fiction portrait of the late 1970's NBA as seen through the 1977 Portland Trailblazers.
- Sports from Hell, Rick Reilly. The longtime SI (and now ESPN) columnist researches outlandish sports from around the world.
- Humor in School is Serious Business, B. Lee Hurren. Educational text about the value of using humor in the classroom.
- U.S.S. Enterprise Owner's Workshop Manual, Ben Robinson and Marcus Riley. Technical manual outlining the various systems and functions of every version of the iconic Star Trek starship.
- Bigfoot: I Not Dead, Graham Roumieu. Fictional autobiography written from the perspective of the legendary Sasquatch.
- 127 Hours: Between a Rock and a Hard Place, Aron Ralston. Memoir of an avid outdoorsman who cuts his own arm off to survive a canyoneering accident.
- World War Z: An Oral History of the Zombie War, Max Brooks. Super-dense documentary-style fiction about the Zombie Apocalypse.
Sunday, January 02, 2011
The Official 2010 Post-Christmas Letter!
Dear friends, family members, and various law enforcement agencies who have requested that I provide viable alibis for specified dates in the month of June,
Now that the holidays are officially past us, it is time for that precious moment when I attempt to recap my year in a finely-crafted way that subtly balances humility and appreciation for the little things with blatant 21st Century self-promotion. Just for fun, I'm writing it in exciting multiple-choice exam form! Good luck!
2. In August, I made a solo road pilgrimage to what important landmark from the film "Close Encounters of the Third Kind?"
A. Devil's Slide
B. Devil's Tower
C. Devil's Haircut
D. What's with all the Devil references?
3. In October, I finally got back in print, writing for which Salt Lake area newspaper?
A. The Salt Lake Tribune
B. The Deseret News
C. The Daily Planet
D. The Davis County Clipper
4. In February, I concluded a run that netted how many speeding tickets in six months?
A. 2
B. 3
C. 4
D. 5
5. In November, I interviewed what Country Music superstar from the 1990s?
A. Billy Ray Cyrus
B. Garth Brooks
C. Collin Raye
D. Vanilla Ice
6. In January, I saw what Utah Jazz backup point guard defeat LeBron James and the Cleveland Cavaliers with a last-second three point shot?
A. Sundiata Gaines
B. Delaney Rudd
C. Magic Johnson
D. Abe Vigoda
8. In April I switched my morning wake-up station from Oldies 94.1 to Arrow 103.5 because:
A. 94.1 never played my favorite songs anymore
B. The female co-host only wanted to give reality TV updates
C. The female co-host had a stone-cold-serious visit with her personal psychic on-air
D. All of the above
9. This month I will become _____________ for the first time?
A. an uncle
B. debt-free
C. a homeowner
D. humble
10. The best piece of evidence from 2010 that suggests I am movin' on up in the world is:
A. I finally embraced sophisticated adult food like sushi.
B. I finally bought a smart phone in December.
C. I finally upgraded my Jazz season tickets in December and "got out of the ghetto," as one of my students put it.
D. All of the above
In spite of its ups and downs and multiple speeding tickets, I'd have to say I'm pretty grateful for 2010, and looking forward to 2011. As a final send-off, here's a clip I came across on one of those nerd blogs I love so much.
Here's hoping that 2011 gives you plenty of chances to laugh...
Now that the holidays are officially past us, it is time for that precious moment when I attempt to recap my year in a finely-crafted way that subtly balances humility and appreciation for the little things with blatant 21st Century self-promotion. Just for fun, I'm writing it in exciting multiple-choice exam form! Good luck!
1. In April I pulled a practical joke on my loyal readers by:
A. Pretending to quit the blog business
B. Going on a date
C. Changing my name to a symbol
D. Coming out as a die-hard country music fan
2. In August, I made a solo road pilgrimage to what important landmark from the film "Close Encounters of the Third Kind?"
A. Devil's Slide
B. Devil's Tower
C. Devil's Haircut
D. What's with all the Devil references?
3. In October, I finally got back in print, writing for which Salt Lake area newspaper?
A. The Salt Lake Tribune
B. The Deseret News
C. The Daily Planet
D. The Davis County Clipper
4. In February, I concluded a run that netted how many speeding tickets in six months?
A. 2
B. 3
C. 4
D. 5
5. In November, I interviewed what Country Music superstar from the 1990s?
A. Billy Ray Cyrus
B. Garth Brooks
C. Collin Raye
D. Vanilla Ice
6. In January, I saw what Utah Jazz backup point guard defeat LeBron James and the Cleveland Cavaliers with a last-second three point shot?
A. Sundiata Gaines
B. Delaney Rudd
C. Magic Johnson
D. Abe Vigoda
7. Last summer I visited the grave of what Seattle-area celebrity?
A. Kurt Cobain
B. Jimi Hendrix
C. Xavier McDaniel
D. Abe Vigoda
8. In April I switched my morning wake-up station from Oldies 94.1 to Arrow 103.5 because:
A. 94.1 never played my favorite songs anymore
B. The female co-host only wanted to give reality TV updates
C. The female co-host had a stone-cold-serious visit with her personal psychic on-air
D. All of the above
9. This month I will become _____________ for the first time?
A. an uncle
B. debt-free
C. a homeowner
D. humble
10. The best piece of evidence from 2010 that suggests I am movin' on up in the world is:
A. I finally embraced sophisticated adult food like sushi.
B. I finally bought a smart phone in December.
C. I finally upgraded my Jazz season tickets in December and "got out of the ghetto," as one of my students put it.
D. All of the above
In spite of its ups and downs and multiple speeding tickets, I'd have to say I'm pretty grateful for 2010, and looking forward to 2011. As a final send-off, here's a clip I came across on one of those nerd blogs I love so much.
Here's hoping that 2011 gives you plenty of chances to laugh...
Sunday, December 19, 2010
The iTunes Top 10
Of all of the phenomena in my life that fascinate me to no end, one that continues to beguile me is how the top 10 "most played" songs on my iTunes account don't even close to resembling the list I would make if I were to compile my top 10 favorite songs of all-time.
This could be the result of one or more of the following factors:
10. (tie) "Let's Stay Together," Al Green, and "Razzmatazz," Pulp
"Let's Stay Together" was one of those songs that was familiar but ignored until I heard it in the background during "Pulp Fiction." Then I saw Al sing it at Red Butte Gardens and it became an all-time favorite. The Pulp track is miles from R&B, but the building crescendo into the final chorus is a killer.
9. "Walk Like a Zombie," The Horrorpops
I found this one while compiling a special zombie-themed CD mix for my sister's birthday a few years ago. I actually had the chance to see these guys at the Avalon two years ago for fifteen bucks, but passed for reasons I can't remember.
8. "How You Like Me Now," The Heavy
The first time I heard this song--in a Kia commercial, of all places--I swore it was a remix of an old James Brown track. Turns out the lead singer of this British band is just JB reincarnated. Just a dirty, nasty bit of badness, this track.
7. "Hold You in My Arms," Ray LaMontagne
The lead track on my sister's wedding video, it's been one of my all-time favorites ever since. Luckily I had the good sense to attend Ray's concert when he came out to The Great Saltair two years ago.
6. "Tiny Dancer," Elton John
Yep, the "Almost Famous" song. First heard it at a time in my life when I really need it. About a year ago I picked up a DVD compilation of performances from a show called "The Old Grey Whistle Test" that features Sir Elton playing this solo on his piano. Great stuff.
5. "Good Days Bad Days," Kaiser Chiefs
One of many songs I discovered by mining the soundtrack of TV's "Chuck." If that show ever goes off the air, iTunes should sue for future lost revenues.
4. "All the Young Dudes," Mott the Hoople
I had the chorus to this song stuck in my head for about four years before a late-night Time Life infomercial finally let me put a name to it. Four years is a long time to have an unnamed tune stuck in your head, man. A long, long time.
3. "Stuttering," Ben's Brother
Probably the best use of a stutter in a pop song since Roger Daltrey stammered his way through "My Generation" for The Who back in the 60's. Don't think this song will carry the same weight in the long run, but it's got a chorus hook that will melt your brain.
2. "Oh Me Oh My (I'm a Fool for You)," Aretha Franklin
Every once in a while I try to decide whether my all-time favorite female singer is Aretha Franklin or Janis Joplin. According to iTunes, it's Aretha. My only beef with this song is the studio version ends right as The Queen of Soul is taking off. Real Shame.
1. "Her Mystery Not of High Heels and Eye Shadow," Jonathan Richman
My first and so far only visit to Kilby Court was to see this guy, and it still stands as one of my all-time favorite shows. The renowned Godfather of Punk (and in my opinion, EMO, though in a good way), Jonathan Richman is an acquired taste that is well worth acquiring. Trust me.
So I don't know...maybe this list is closer to my all-time top 10 than I thought. I definitely like all of those songs. Maybe they represent something I can't articulate consciously. Isn't that kind of what music is about anyway?
(Incidentally, if any of you clicked on that James Brown Christmas link, I hope you listened to the whole track. Trust me, you need to listen to the whole track.)
This could be the result of one or more of the following factors:
- Magical elves are messing with my hard drive and changing my stats so they can mess with my mind.
- The top-played list only represents my listening activity over the last four years since I bought my current computer (the top two songs on my previous computer were "Jungle Boogie" by Kool & the Gang and "Northern Sky" by Nick Drake). It would obviously be a far different list if it could track my listening statistics back to the fourth grade.
- Elton John is messing with my hard drive and changing my stats so he can mess with my mind.
- The iTunes account only represents songs played through iTunes and my iPod, and leaves out CD's I've listened to repeatedly on long, lonely drives when I was contemplating the meaning of my life (such as the James Brown Christmas Album).
- Just because a song is one of my all-time favorites, that doesn't mean I want to listen to it all the time. Some songs need to be saved for special occasions (such as "Let's Make Christmas Mean Something This Year," off the James Brown Christmas Album).
- No one is messing with my hard drive; the truth is the following songs ARE my all-time favorites, and I only THINK my favorite music is my favorite music.
10. (tie) "Let's Stay Together," Al Green, and "Razzmatazz," Pulp
"Let's Stay Together" was one of those songs that was familiar but ignored until I heard it in the background during "Pulp Fiction." Then I saw Al sing it at Red Butte Gardens and it became an all-time favorite. The Pulp track is miles from R&B, but the building crescendo into the final chorus is a killer.
9. "Walk Like a Zombie," The Horrorpops
I found this one while compiling a special zombie-themed CD mix for my sister's birthday a few years ago. I actually had the chance to see these guys at the Avalon two years ago for fifteen bucks, but passed for reasons I can't remember.
8. "How You Like Me Now," The Heavy
The first time I heard this song--in a Kia commercial, of all places--I swore it was a remix of an old James Brown track. Turns out the lead singer of this British band is just JB reincarnated. Just a dirty, nasty bit of badness, this track.
7. "Hold You in My Arms," Ray LaMontagne
The lead track on my sister's wedding video, it's been one of my all-time favorites ever since. Luckily I had the good sense to attend Ray's concert when he came out to The Great Saltair two years ago.
6. "Tiny Dancer," Elton John
Yep, the "Almost Famous" song. First heard it at a time in my life when I really need it. About a year ago I picked up a DVD compilation of performances from a show called "The Old Grey Whistle Test" that features Sir Elton playing this solo on his piano. Great stuff.
5. "Good Days Bad Days," Kaiser Chiefs
One of many songs I discovered by mining the soundtrack of TV's "Chuck." If that show ever goes off the air, iTunes should sue for future lost revenues.
4. "All the Young Dudes," Mott the Hoople
I had the chorus to this song stuck in my head for about four years before a late-night Time Life infomercial finally let me put a name to it. Four years is a long time to have an unnamed tune stuck in your head, man. A long, long time.
3. "Stuttering," Ben's Brother
Probably the best use of a stutter in a pop song since Roger Daltrey stammered his way through "My Generation" for The Who back in the 60's. Don't think this song will carry the same weight in the long run, but it's got a chorus hook that will melt your brain.
2. "Oh Me Oh My (I'm a Fool for You)," Aretha Franklin
Every once in a while I try to decide whether my all-time favorite female singer is Aretha Franklin or Janis Joplin. According to iTunes, it's Aretha. My only beef with this song is the studio version ends right as The Queen of Soul is taking off. Real Shame.
1. "Her Mystery Not of High Heels and Eye Shadow," Jonathan Richman
My first and so far only visit to Kilby Court was to see this guy, and it still stands as one of my all-time favorite shows. The renowned Godfather of Punk (and in my opinion, EMO, though in a good way), Jonathan Richman is an acquired taste that is well worth acquiring. Trust me.
* * *
So I don't know...maybe this list is closer to my all-time top 10 than I thought. I definitely like all of those songs. Maybe they represent something I can't articulate consciously. Isn't that kind of what music is about anyway?
(Incidentally, if any of you clicked on that James Brown Christmas link, I hope you listened to the whole track. Trust me, you need to listen to the whole track.)
Friday, December 17, 2010
New Tron Review Online
My new review for "Tron: Legacy" is online at the Deseret News website:
"Tron: Legacy is a Stylish Update"
According to Rotten Tomatoes, I seem to be in the minority among critics. But Roger Ebert agrees with me, at least.
"Tron: Legacy is a Stylish Update"
According to Rotten Tomatoes, I seem to be in the minority among critics. But Roger Ebert agrees with me, at least.
Sunday, December 12, 2010
School of Rock
A little over a year ago, some of my longtime high school friends and I put together a band to perform at a charter school out in North Salt Lake. We called ourselves The Guitar Heroes in order to send the kids the message that if they learn to play real instruments instead of fake ones (read: Guitar Hero and Rock Band accessories), you can rock and roll for real. The set was a big success, and the gym full of jumping, screaming elementary ed kids instantly became one of my favorite audiences.
My current band Groove Theorem has been on a bit of a hiatus lately, so a little over a week ago, I hooked up with BretO and Cheetahman again to play a few more tunes for the K-6 crowd. For this year's performance, we wanted to raise the stakes. We picked up an additional guitarist, put together a four song set instead of three, and even wore suits for the gig. We also added an extended Kanye-Disco Coda to the one song that remained from the previous year's set: Neil Diamond's "America."
Just like last year, playing for the kids proved to be a revelation. For one thing, eight-year-olds aren't the harshest of rock critics, so you are able to relax and have a lot of fun (which was good, because my drum kit refused to stay anchored and was shifting around on my risers the whole show). But what was more fun was watching the kids' faces while we played. Some jumped and screamed, others just sat and stared. It was clear that some of the kids knew the drill, and others were getting their first dose of real Rock and Roll.
Though our message was the same, this year we went with the name Thunderlips, a derivation of a previous name The Cheetahman and I had used a few years ago with another band (The Atomic Thunderlips Traveling Ministry). We may have to go back to that full name, though, after Cheetahman informed me that another band in Cleveland is already on MySpace under that name. Either way, it was pretty cool to have 300 kids chanting "Thun-der-lips! Thun-der-lips!" at the beginning of the show.
I can't remember the first time I was introduced to Rock and Roll. I remember discovering my mom's Beatles albums in our basement when I was in the fourth grade, and I remember seeing ZZ-Top at the Delta Center when I was eighteen. But I know for a fact that I never had a band come play at Tolman Elementary School, even a bunch of amateurs like us. Those kids are totally lucky.
But I think we were luckier for getting to play for them.
My current band Groove Theorem has been on a bit of a hiatus lately, so a little over a week ago, I hooked up with BretO and Cheetahman again to play a few more tunes for the K-6 crowd. For this year's performance, we wanted to raise the stakes. We picked up an additional guitarist, put together a four song set instead of three, and even wore suits for the gig. We also added an extended Kanye-Disco Coda to the one song that remained from the previous year's set: Neil Diamond's "America."
Just like last year, playing for the kids proved to be a revelation. For one thing, eight-year-olds aren't the harshest of rock critics, so you are able to relax and have a lot of fun (which was good, because my drum kit refused to stay anchored and was shifting around on my risers the whole show). But what was more fun was watching the kids' faces while we played. Some jumped and screamed, others just sat and stared. It was clear that some of the kids knew the drill, and others were getting their first dose of real Rock and Roll.
Though our message was the same, this year we went with the name Thunderlips, a derivation of a previous name The Cheetahman and I had used a few years ago with another band (The Atomic Thunderlips Traveling Ministry). We may have to go back to that full name, though, after Cheetahman informed me that another band in Cleveland is already on MySpace under that name. Either way, it was pretty cool to have 300 kids chanting "Thun-der-lips! Thun-der-lips!" at the beginning of the show.
I can't remember the first time I was introduced to Rock and Roll. I remember discovering my mom's Beatles albums in our basement when I was in the fourth grade, and I remember seeing ZZ-Top at the Delta Center when I was eighteen. But I know for a fact that I never had a band come play at Tolman Elementary School, even a bunch of amateurs like us. Those kids are totally lucky.
But I think we were luckier for getting to play for them.
Friday, December 10, 2010
New Deseret News / Mormon Times Articles Online
My newest articles for the Deseret News have been posted online. One, a book review for a U.S.S. Enterprise Owners Manual, ran last weekend. The other just ran for Mormon Times, a subsidiary of the D-News. That article is a review of a new book about using humor in education. Shouldn't be too hard to understand my interest in either assignment.
Sunday, November 28, 2010
Odoriferous Emanations
The time has come for another major life decision. After over twelve years of use, my one bottle of cologne has finally run out, and the time has come to find a new one.
Back in the summer of 1998, I went out with a girl from Sandy and wound up wandering around the Southtowne Mall. I have no idea how this happened, but I do remember passing through the perfume/cologne section of some department store, at which point my date mentioned that she liked Polo Sport. You can pretty much fill in the rest from here.
Anyhow, that bottle of Polo lasted me a long time (Too long? Do these things even expire?), but now I need to find another option. This is a tricky challenge, because most perfumes and colognes smell exactly the same to me. I don't know if it's because I'm a guy or because I have an underdeveloped sense of smell, but unless something smells really, really good (tacos, the ocean, victory), or really, really bad (tuna fish), I won't notice it.
So help me out. What should I buy next? Make your suggestion count; if I pick it up, it's gotta last me at least a decade.
Back in the summer of 1998, I went out with a girl from Sandy and wound up wandering around the Southtowne Mall. I have no idea how this happened, but I do remember passing through the perfume/cologne section of some department store, at which point my date mentioned that she liked Polo Sport. You can pretty much fill in the rest from here.
Anyhow, that bottle of Polo lasted me a long time (Too long? Do these things even expire?), but now I need to find another option. This is a tricky challenge, because most perfumes and colognes smell exactly the same to me. I don't know if it's because I'm a guy or because I have an underdeveloped sense of smell, but unless something smells really, really good (tacos, the ocean, victory), or really, really bad (tuna fish), I won't notice it.
So help me out. What should I buy next? Make your suggestion count; if I pick it up, it's gotta last me at least a decade.
Labels:
announcements,
bad habits,
Dating,
manliness,
nostalgic rubbish
Monday, November 22, 2010
Bruce and Me
OK, so it's official: I look like Bruce Willis. I've always wanted to think I looked like Bruce Willis (at least since I started shaving my head), but I never felt justified in making the claim on my own. I needed external confirmation. You can't pick your own nickname, and you can't pick your own celebrity doppelganger. These are the very pillars of civilized society.
So who offered me this external confirmation of which I speak? 1990's country star Collin Raye, that's who. Last week after one of his recent concerts at the Desert Star Playhouse in Murray, I was hanging out with Mr. Raye backstage* discussing the extended piano/guitar solo at the end of the early 1970's Derek and the Dominos hit "Layla" when he interjected the following:
"Has anyone ever told you you look just like Bruce Willis?"
Doppelganger confirmed.
That was Wednesday night. On Saturday, I was out in North Salt Lake at a clubhouse party when my buddy Tyler and I chose to approach a girl who looked a lot like Meg Ryan. That resemblance, in fact, was our method of breaking the ice with her. Then Tyler continued the game:
"So what famous person does my friend here look like?" (indicating me)
"Bruce Willis," she said, without skipping a beat.
So there you go. Two unrelated confirmations that I look like one of the baddest action heroes to ever grace the silver screen (or the small screen, I might add; I've been a big fan of Bruce ever since his "Moonlighting" days). Truth be told, my sister has maintained my resemblance to Mr. Willis for several years now, but I always dismissed it because she is legally and genetically obligated to make me feel good about myself.
But Collin Raye and Meg Ryan aren't.
Yippie Ki-Yay.
---
*A future post will clarify the circumstances of this exchange, but for now I will just sit back and let it fester in your totally-blown minds.
So who offered me this external confirmation of which I speak? 1990's country star Collin Raye, that's who. Last week after one of his recent concerts at the Desert Star Playhouse in Murray, I was hanging out with Mr. Raye backstage* discussing the extended piano/guitar solo at the end of the early 1970's Derek and the Dominos hit "Layla" when he interjected the following:
"Has anyone ever told you you look just like Bruce Willis?"
Doppelganger confirmed.
That was Wednesday night. On Saturday, I was out in North Salt Lake at a clubhouse party when my buddy Tyler and I chose to approach a girl who looked a lot like Meg Ryan. That resemblance, in fact, was our method of breaking the ice with her. Then Tyler continued the game:
"So what famous person does my friend here look like?" (indicating me)
"Bruce Willis," she said, without skipping a beat.
So there you go. Two unrelated confirmations that I look like one of the baddest action heroes to ever grace the silver screen (or the small screen, I might add; I've been a big fan of Bruce ever since his "Moonlighting" days). Truth be told, my sister has maintained my resemblance to Mr. Willis for several years now, but I always dismissed it because she is legally and genetically obligated to make me feel good about myself.
But Collin Raye and Meg Ryan aren't.
Yippie Ki-Yay.
---
*A future post will clarify the circumstances of this exchange, but for now I will just sit back and let it fester in your totally-blown minds.
Labels:
"What the-",
announcements,
celebrity encounters,
manliness,
movies,
music,
Pop Stew
Monday, November 08, 2010
Movies for Music Fans
Anyone who has read more than a half dozen posts on this blog, sat through a semester of one of my English classes, or talked to me at a party for more than ten minutes knows that music and movies are two things that are near and dear to my heart (almost as dear as hard shell tacos). And while there are plenty of movies out there with great soundtracks, the ones that really get through to me are the ones that are about those soundtracks.
Here is a list of seven great movies for people who love music:
A Hard Day's Night (1964)
The plot: Pretty simple, really. At the height of Beatlemania, John, Paul, George and Ringo arrive in town for a day's worth of press conferences, TV tapings, and a live concert, dodging rabid fans, sophisticated press agents and local police along the way.
The music: Some of the best of the early Beatle catalog, including "Can't Buy Me Love," "If I Fell," and "All My Loving," among others.
The moment: Early in the film, while the Fab Four are hanging out in the dining car of the train they are using to make their next gig, Paul wanders over to flirt with a couple of school girls. It would just be another charming throwaway moment if one of the school girls wasn't Patty Boyd, future wife of both George Harrison and Eric Clapton, and the woman who inspired the song's "Something" and "Layla." That must have been some cameo.
Almost Famous (2000)
The plot: I've always thought of this movie as the film equivalent of "The Wonder Years," if Kevin Arnold was an aspiring music journalist who wound up on tour with a 2nd tier rock band in the early 1970's. Instead of chasing Winnie Cooper, this Kevin (William Miller, played by local SLC product Patrick Fugit) winds up falling for a semi-mythic groupie named Penny Lane (Kate Hudson.)
The music: The movie is a semi-autobiographical account of how director Cameron Crowe got his start at Rolling Stone, so the film is jammed with music from pretty much every act from the early '70's: Bowie, Zeppelin, Hendrix, and an unforgettable sequence with Elton John's "Tiny Dancer."
The moment: William Miller may be on tour with a real rock band, but he's still an outsider. When things go bad late in the film and William has no one else to turn to, he calls up his mentor, Creem Magazine editor Lester Bangs (played by Philip Seymour Hoffmann), and the resulting conversation says it all.
The Blues Brothers (1980)
The plot: Two black-suited ex-cons reform their old R&B band when God inspires them to raise the money to save the Chicago orphanage they were raised in from imminent foreclosure. Along they way they battle local police, neo-nazis, Indiana rednecks, and Carrie Fisher.
The music: The music in this film is the template for a working knowledge of soul music. Not only do James Brown, Aretha Franklin and John Lee Hooker play on the soundtrack, they also show up in cameos throughout the film. This movie is ground zero for my music appreciation.
The moment: After looming in the background like the angel of death for two hours, Carrie Fisher finally tracks down our heroes in a dank sewer. When he finally takes off his sunglasses for the first and only time in the film, you know why John Belushi was one of the greatest comedians to ever hit the screen.
The Commitments (1991)
The plot: A rogue group of working class Irish misfits from Dublin band together to save soul music and figure out what on earth those lyrics to "Whiter Shade of Pale" really mean. The perfect movie for any white suburban kid who was raised on Motown and James Brown.
The music: Do-it-yourself covers of soul standards from Aretha Franklin to Wilson Pickett.
The moment: The drummer wants to kill the lead singer. The sax player thinks he's a jazz soloist. The trumpet player has turned all three backup singers against each other. The manager has a price on his head from the loan shark he used to score the band's equipment. And outside, Wilson Pickett may or may not be on his way to jam after he finished a gig of his own. In the middle of everything, the band gathers on stage for one last rally before the lights go out, delivering a cover of Otis Redding's "Try a Little Tenderness" that explains just what soul music is all about.
High Fidelity (1998)
The plot: John Cusack's Robb is a thirtysomething record store owner who is going nowhere. When his longtime girlfriend leaves him (for a New Age Tim Robbins), Robb revisits the girls of his past in order to make sense of his future, wondering if he is miserable because he listens to pop music or if he listens to pop music because he is miserable. Based on Nick Hornby's novel of the same name.
The music: "High Fidelity" is set in the 90's, but it's about a record collector, so the soundtrack covers ground as diverse as The Velvet Underground, Marvin Gaye, and the Stiff Little Fingers.
The moment: When Robb finally concedes to attend the local debut of his manic employee Barry (Jack Black)'s new band, he expects the worst of garage rock. What he gets is something entirely different.
Pirate Radio (2009)
The plot: At the peak of the British Invasion, the only way Britons could listen to rock and roll on the radio was to dial in to a pirate broadcast from a ship anchored somewhere off the mainland. "Pirate Radio" is a fictionalized account of one of those ships, told through the eyes of a prep school dropout who is sent to the ship to meet his long unidentified father.
The music: Set in 1966, the movie features the best of The Who, The Stones, The Kinks, and tons of other British Invasion greats.
The moment: When one of the DJ's steals the girl of his dreams, Carl (the dropout) finds himself in familiar rough waters. When two members of the crew try to cheer him up, you realize that the movie is about a lot more than music.
That Thing You Do (1996)
The plot: The prototype tale of a one-hit wonder set in the excitement of the early 1960's. When amateur drummer Guy Patterson (Tom Everett Scott) joins a local band called, yes, "The Wonders," their catchy hit takes them from small-town Pennsylvania to the top of the national charts, then leaves them alone at the peak with no way down.
The music: Unlike most of the other movies on this list, the music in "That Thing You Do" is all original, penned to mimic early 1960's styles, and it is remarkably effective in doing so.
The moment: When the band inevitably splits, leaving Guy at the recording studio with no one to play with, he runs into his Jazz, drummer Del Paxton, who passes on some advice that has pretty much defined my amateur musical career.
Honorable Mention: American Graffiti (1973)
The plot: Before George Lucas made "Star Wars," he directed this relatively low-budget film that follows the hijinks of a group of friends on the last night of summer in 1962. Even though it's not about a specific musical topic, the period soundtrack is omnipresent throughout the film, mostly channeled through the radio broadcast of famous DJ "Wolfman" Jack that the characters always seem to have playing on their radios.
The music: Set in 1962, "American Graffiti's" soundtrack covers the best of early rock and roll, right up to the days before the Beatles hit. Del Shannon, Bill Haley, Buddy Holly...they're all here.
The moment: In one of the most contemplative scenes in the movie, Richard Dreyfuss' character Curt actually drops in on The Wolfman because he wants to drop off a dedication to the elusive blond he's been chasing for the whole movie. Growing up, my favorite scene was Curt's initiation into the local Pharoah gang, but as I get older this encounter with The Wolfman takes the number one spot.
Here is a list of seven great movies for people who love music:
A Hard Day's Night (1964)
The plot: Pretty simple, really. At the height of Beatlemania, John, Paul, George and Ringo arrive in town for a day's worth of press conferences, TV tapings, and a live concert, dodging rabid fans, sophisticated press agents and local police along the way.
The music: Some of the best of the early Beatle catalog, including "Can't Buy Me Love," "If I Fell," and "All My Loving," among others.
The moment: Early in the film, while the Fab Four are hanging out in the dining car of the train they are using to make their next gig, Paul wanders over to flirt with a couple of school girls. It would just be another charming throwaway moment if one of the school girls wasn't Patty Boyd, future wife of both George Harrison and Eric Clapton, and the woman who inspired the song's "Something" and "Layla." That must have been some cameo.
Almost Famous (2000)
The plot: I've always thought of this movie as the film equivalent of "The Wonder Years," if Kevin Arnold was an aspiring music journalist who wound up on tour with a 2nd tier rock band in the early 1970's. Instead of chasing Winnie Cooper, this Kevin (William Miller, played by local SLC product Patrick Fugit) winds up falling for a semi-mythic groupie named Penny Lane (Kate Hudson.)
The music: The movie is a semi-autobiographical account of how director Cameron Crowe got his start at Rolling Stone, so the film is jammed with music from pretty much every act from the early '70's: Bowie, Zeppelin, Hendrix, and an unforgettable sequence with Elton John's "Tiny Dancer."
The moment: William Miller may be on tour with a real rock band, but he's still an outsider. When things go bad late in the film and William has no one else to turn to, he calls up his mentor, Creem Magazine editor Lester Bangs (played by Philip Seymour Hoffmann), and the resulting conversation says it all.
The Blues Brothers (1980)
The plot: Two black-suited ex-cons reform their old R&B band when God inspires them to raise the money to save the Chicago orphanage they were raised in from imminent foreclosure. Along they way they battle local police, neo-nazis, Indiana rednecks, and Carrie Fisher.
The music: The music in this film is the template for a working knowledge of soul music. Not only do James Brown, Aretha Franklin and John Lee Hooker play on the soundtrack, they also show up in cameos throughout the film. This movie is ground zero for my music appreciation.
The moment: After looming in the background like the angel of death for two hours, Carrie Fisher finally tracks down our heroes in a dank sewer. When he finally takes off his sunglasses for the first and only time in the film, you know why John Belushi was one of the greatest comedians to ever hit the screen.
The Commitments (1991)
The plot: A rogue group of working class Irish misfits from Dublin band together to save soul music and figure out what on earth those lyrics to "Whiter Shade of Pale" really mean. The perfect movie for any white suburban kid who was raised on Motown and James Brown.
The music: Do-it-yourself covers of soul standards from Aretha Franklin to Wilson Pickett.
The moment: The drummer wants to kill the lead singer. The sax player thinks he's a jazz soloist. The trumpet player has turned all three backup singers against each other. The manager has a price on his head from the loan shark he used to score the band's equipment. And outside, Wilson Pickett may or may not be on his way to jam after he finished a gig of his own. In the middle of everything, the band gathers on stage for one last rally before the lights go out, delivering a cover of Otis Redding's "Try a Little Tenderness" that explains just what soul music is all about.
High Fidelity (1998)
The plot: John Cusack's Robb is a thirtysomething record store owner who is going nowhere. When his longtime girlfriend leaves him (for a New Age Tim Robbins), Robb revisits the girls of his past in order to make sense of his future, wondering if he is miserable because he listens to pop music or if he listens to pop music because he is miserable. Based on Nick Hornby's novel of the same name.
The music: "High Fidelity" is set in the 90's, but it's about a record collector, so the soundtrack covers ground as diverse as The Velvet Underground, Marvin Gaye, and the Stiff Little Fingers.
The moment: When Robb finally concedes to attend the local debut of his manic employee Barry (Jack Black)'s new band, he expects the worst of garage rock. What he gets is something entirely different.
Pirate Radio (2009)
The plot: At the peak of the British Invasion, the only way Britons could listen to rock and roll on the radio was to dial in to a pirate broadcast from a ship anchored somewhere off the mainland. "Pirate Radio" is a fictionalized account of one of those ships, told through the eyes of a prep school dropout who is sent to the ship to meet his long unidentified father.
The music: Set in 1966, the movie features the best of The Who, The Stones, The Kinks, and tons of other British Invasion greats.
The moment: When one of the DJ's steals the girl of his dreams, Carl (the dropout) finds himself in familiar rough waters. When two members of the crew try to cheer him up, you realize that the movie is about a lot more than music.
That Thing You Do (1996)
The plot: The prototype tale of a one-hit wonder set in the excitement of the early 1960's. When amateur drummer Guy Patterson (Tom Everett Scott) joins a local band called, yes, "The Wonders," their catchy hit takes them from small-town Pennsylvania to the top of the national charts, then leaves them alone at the peak with no way down.
The music: Unlike most of the other movies on this list, the music in "That Thing You Do" is all original, penned to mimic early 1960's styles, and it is remarkably effective in doing so.
The moment: When the band inevitably splits, leaving Guy at the recording studio with no one to play with, he runs into his Jazz, drummer Del Paxton, who passes on some advice that has pretty much defined my amateur musical career.
Honorable Mention: American Graffiti (1973)
The plot: Before George Lucas made "Star Wars," he directed this relatively low-budget film that follows the hijinks of a group of friends on the last night of summer in 1962. Even though it's not about a specific musical topic, the period soundtrack is omnipresent throughout the film, mostly channeled through the radio broadcast of famous DJ "Wolfman" Jack that the characters always seem to have playing on their radios.
The music: Set in 1962, "American Graffiti's" soundtrack covers the best of early rock and roll, right up to the days before the Beatles hit. Del Shannon, Bill Haley, Buddy Holly...they're all here.
The moment: In one of the most contemplative scenes in the movie, Richard Dreyfuss' character Curt actually drops in on The Wolfman because he wants to drop off a dedication to the elusive blond he's been chasing for the whole movie. Growing up, my favorite scene was Curt's initiation into the local Pharoah gang, but as I get older this encounter with The Wolfman takes the number one spot.
Friday, October 29, 2010
Back in Print
From time to time, you may have a new option for reading my inane, pop-culture laced ramblings. I've signed on as a freelancer for the Deseret News.
Here's my first offering. It's (surprise) a list of recommended Halloween songs. It also appears in this morning's print edition, which means it's technically my first appearance in print in about six years.
Let the good times roll.
Here's my first offering. It's (surprise) a list of recommended Halloween songs. It also appears in this morning's print edition, which means it's technically my first appearance in print in about six years.
Let the good times roll.
Monday, October 18, 2010
Why I Love Movies
I'm not sure where I got the idea (or the motivation) to do this, but over the last couple of weeks I've been putting together a highlight reel of some of my favorite movie clips. Like I said, I'm not sure why I did it, but I do know that it's been a lot of fun to see so many of my favorite moments in close succession. I'm sure you'll recognize a lot of these clips, but if any seem unfamiliar, let me know and I'll tell you where to find them. Even if you don't recognize them, I'm sure that half a dozen of these will make you smile, if not more.
Just so you know, there is a touch of PG/PG-13 level language in a few of the clips.
Just so you know, there is a touch of PG/PG-13 level language in a few of the clips.
Wednesday, October 06, 2010
Thursday, September 30, 2010
Carrie Fisher is the Center of the Universe
Last week I dropped by the Davis County Library to check out some new reading material, and picked up a copy of Carrie Fisher's recent memoir, "Wishful Drinking." It was a pretty eye-opening account of a woman born to a pair of 1950's Hollywood celebrities who went on to deal with substance abuse, manic depression, and the eternal burden of an iron bikini.
I finished the book by the end of the day. The next day, her celebrity father died.
I don't think there was a connection.
What was even stranger, though, was realizing just how central a role Carrie Fisher has played in my pop culture universe:
1. Carrie Fisher played Princess Leia in "Star Wars."
The first "Star Wars" film came out six months after I was born, and I spent the first ten years of my life wanting to be Han Solo when I grew up. While I never quite developed the same crush on Princess Leia as some of my fellow peer-nerds, that infamous gold bikini from "Return of the Jedi" might explain why I never went through that early childhood phase where boys think girls have cooties. Not that it helped any.
2. Carrie Fisher played John Belushi's estranged ex-fiancee in "The Blues Brothers."
If "Star Wars" is the keystone of my appreciation of science fiction, "The Blues Brothers" is the keystone of my appreciation for comedy. When I was a kid, "The Blues Brothers" was that cool movie on cable where they have a car chase in a mall. In high school, it became the foundation for my deep appreciation for soul and blues music. By the time I left on an LDS mission to Chicago, the film had a flat-out divine import. A mission from God, indeed.
3. Carrie Fisher was married to Paul Simon.
Before "The Blues Brothers" solidified my R&B roots, my parents raised me on a steady diet of Motown and Simon & Garfunkel. To this day, "Mrs. Robinson" instantly links me to memories of our family Honda weaving through Douglas Fir trees in Yellowstone National Park, even though the song itself was written in Greenwich Village, New York. I still maintain that Paul Simon is the greatest songwriter of the late 20th Century (even though he truly needed Garfunkel to bring his best stuff to fruition). Carrie Fisher would probably agree with me.
Moreover, Ms. Fisher is an accomplished writer (four other novels to date) and stage performer (the memoir was adapted from a live comic performance she used to do...or may still do. I don't know, the book came out two years ago.) With all those different interests, Carrie Fisher, like Steve Martin and Woody Allen, is nothing more than a considerably more successful version of me.
(uncomfortable silence...)
Yep, that pretty much says it.
I finished the book by the end of the day. The next day, her celebrity father died.
I don't think there was a connection.
What was even stranger, though, was realizing just how central a role Carrie Fisher has played in my pop culture universe:
1. Carrie Fisher played Princess Leia in "Star Wars."
The first "Star Wars" film came out six months after I was born, and I spent the first ten years of my life wanting to be Han Solo when I grew up. While I never quite developed the same crush on Princess Leia as some of my fellow peer-nerds, that infamous gold bikini from "Return of the Jedi" might explain why I never went through that early childhood phase where boys think girls have cooties. Not that it helped any.
2. Carrie Fisher played John Belushi's estranged ex-fiancee in "The Blues Brothers."
If "Star Wars" is the keystone of my appreciation of science fiction, "The Blues Brothers" is the keystone of my appreciation for comedy. When I was a kid, "The Blues Brothers" was that cool movie on cable where they have a car chase in a mall. In high school, it became the foundation for my deep appreciation for soul and blues music. By the time I left on an LDS mission to Chicago, the film had a flat-out divine import. A mission from God, indeed.
3. Carrie Fisher was married to Paul Simon.
Before "The Blues Brothers" solidified my R&B roots, my parents raised me on a steady diet of Motown and Simon & Garfunkel. To this day, "Mrs. Robinson" instantly links me to memories of our family Honda weaving through Douglas Fir trees in Yellowstone National Park, even though the song itself was written in Greenwich Village, New York. I still maintain that Paul Simon is the greatest songwriter of the late 20th Century (even though he truly needed Garfunkel to bring his best stuff to fruition). Carrie Fisher would probably agree with me.
Moreover, Ms. Fisher is an accomplished writer (four other novels to date) and stage performer (the memoir was adapted from a live comic performance she used to do...or may still do. I don't know, the book came out two years ago.) With all those different interests, Carrie Fisher, like Steve Martin and Woody Allen, is nothing more than a considerably more successful version of me.
(uncomfortable silence...)
Yep, that pretty much says it.
Labels:
lists,
movies,
nostalgic rubbish,
observations,
Pop Stew,
reviews,
uber-nerd
Wednesday, September 29, 2010
Further On Up the Road: 2010 Epic Summer Film
For anyone who wasn't able to make it out to Sugarhouse Park last weekend, here is my submission for the 2010 Epic Summer Film Festival, "Further On Up the Road:"
Unlike my previous Epic Summer submissions, I didn't go for the mockumentary this time. This piece is more an attempt to tie together the different interests I was pursuing over the summer, and pull out some kind of common theme. Near as I can tell, the common theme was Rock and Roll. From the band I played in to the bands I photographed to the road trips I took, music seemed to play a dominant role in the experience, much more so than humor, anyway.
A number of people thought I should have identified all the locations in the photos and video clips in the film. Since I didn't, I'll list some of them below:
If anyone has a specific question about any of the images or clips, feel free to leave a comment.
Unlike my previous Epic Summer submissions, I didn't go for the mockumentary this time. This piece is more an attempt to tie together the different interests I was pursuing over the summer, and pull out some kind of common theme. Near as I can tell, the common theme was Rock and Roll. From the band I played in to the bands I photographed to the road trips I took, music seemed to play a dominant role in the experience, much more so than humor, anyway.
A number of people thought I should have identified all the locations in the photos and video clips in the film. Since I didn't, I'll list some of them below:
- Arches National Park
- Canyonlands National Park
- Seattle, Washington
- The Jimi Hendrix Memorial, Washington
- Sturgis, South Dakota
- Devils Tower National Monument, Wyoming
- Mount Rushmore National Monument, South Dakota
- Cody, Wyoming
- Quake Lake, Montana
- Antelope Island, Utah
- The Layton City Amphitheater
- The Bountiful Days of '47 Parade
- Yellowstone National Park
If anyone has a specific question about any of the images or clips, feel free to leave a comment.
A KISS Conversion?
Some of my favorite moments in life are the ones you never see coming. Not that they are particularly great or wonderful, just that they are so far from anything you expected when you woke up that morning.
I have a new moment for the list.
Last Wednesday night, about 10:30PM, I was standing with my buddy Chidsey on the west end of Rio Tinto Stadium in section 17 under a full moon as KISS blasted out the chords to "God Gave Rock and Roll to You" on a brilliantly-lit stage fifty yards away.
This moment is improbable for several reasons, including:
1. I am not a KISS fan.
2. As recently as 4:37PM that afternoon, I had no knowledge of KISS's plans to play a concert in Sandy, Utah that evening (let alone any intention of attending).
Yet, the moment came together. Somebody gave Chidsey a couple of extra tickets to the concert, and Chidsey gave me a call at the precise moment when spending an evening watching four middle-aged men in stage makeup rock out to a collection of innuendo-driven 1970's anthems like "Love Gun" sounded like a perfect idea.
So after two hours and 20 tracks of exposure to the full KISS experience, I still can't quite call myself a fan, much less a full-fledged member of the KISS Army. But I have a much better idea of why the Army digs them so much. Why they get dressed up to go to their concerts. Why they go crazy when the automated stage lifts the drummer's kit forty feet in the air and shoots steam out the bottom to make it look like it's about to blast off into the stratosphere.
Something about those old guys in eight-inch platform boots is pretty fun. Something about them bringing some veterans on stage to present an oversized donation check, then leading us in the Pledge of Allegiance while guitarist Tommy Thayer waves a fifteen-foot American flag is kind of cool. And something about lead singer and "Star Child" Paul Stanley repeatedly referencing the band's new album "Sonic Boom" and how you can get it exclusively at Walmart reminds me that even though we all like to take rock and roll seriously, we really shouldn't. Especially when a harness lifts 61-year-old Gene Simmons to the top of the stage scaffolding so he can spit blood and play his axe-shaped bass guitar at us from fifty feet in the air.
Almost, thou persuadest me to be a KISS fan...
I'm still not much of a fan of KISS's music. But last night I became a big fan of the KISS Experience.
I have a new moment for the list.
Last Wednesday night, about 10:30PM, I was standing with my buddy Chidsey on the west end of Rio Tinto Stadium in section 17 under a full moon as KISS blasted out the chords to "God Gave Rock and Roll to You" on a brilliantly-lit stage fifty yards away.
This moment is improbable for several reasons, including:
1. I am not a KISS fan.
2. As recently as 4:37PM that afternoon, I had no knowledge of KISS's plans to play a concert in Sandy, Utah that evening (let alone any intention of attending).
Yet, the moment came together. Somebody gave Chidsey a couple of extra tickets to the concert, and Chidsey gave me a call at the precise moment when spending an evening watching four middle-aged men in stage makeup rock out to a collection of innuendo-driven 1970's anthems like "Love Gun" sounded like a perfect idea.
So after two hours and 20 tracks of exposure to the full KISS experience, I still can't quite call myself a fan, much less a full-fledged member of the KISS Army. But I have a much better idea of why the Army digs them so much. Why they get dressed up to go to their concerts. Why they go crazy when the automated stage lifts the drummer's kit forty feet in the air and shoots steam out the bottom to make it look like it's about to blast off into the stratosphere.
Something about those old guys in eight-inch platform boots is pretty fun. Something about them bringing some veterans on stage to present an oversized donation check, then leading us in the Pledge of Allegiance while guitarist Tommy Thayer waves a fifteen-foot American flag is kind of cool. And something about lead singer and "Star Child" Paul Stanley repeatedly referencing the band's new album "Sonic Boom" and how you can get it exclusively at Walmart reminds me that even though we all like to take rock and roll seriously, we really shouldn't. Especially when a harness lifts 61-year-old Gene Simmons to the top of the stage scaffolding so he can spit blood and play his axe-shaped bass guitar at us from fifty feet in the air.
Almost, thou persuadest me to be a KISS fan...
I'm still not much of a fan of KISS's music. But last night I became a big fan of the KISS Experience.
Labels:
concerts,
music,
nostalgic rubbish,
observations,
reviews
Friday, September 17, 2010
Epic Summer: Deleted Sequence
Tomorrow night I will be participating in my fourth Epic Summer Film Festival up in Sugarhouse Park. It's an annual event where a bunch of laid-back folks hang out and watch amateur films about outdoor adventure and humanitarian efforts. Very cool vibe. A buddy of mine turned me on to the event four years ago after we hiked The Subway together, and I've been a participant in the festival ever since.
This year's submission, "Further On Up the Road," is probably the most "epic" of my films so far, in this case attempting to capture the events of an entire season instead of a single hike or road trip. Even so, at the end of the editing day, some pieces don't quite fit into the final product. One of my favorite things about the summer season is making fresh salsa, and I put the following sequence together in the hopes of working it into the film.
As much as I love fresh salsa, I couldn't find a good way to work this footage into the final film logically. But I don't want it to go to waste, and I'm kind of bummed about summer being over, so here you go. If you love fresh salsa, it is kind of fun to watch.
This year's submission, "Further On Up the Road," is probably the most "epic" of my films so far, in this case attempting to capture the events of an entire season instead of a single hike or road trip. Even so, at the end of the editing day, some pieces don't quite fit into the final product. One of my favorite things about the summer season is making fresh salsa, and I put the following sequence together in the hopes of working it into the film.
As much as I love fresh salsa, I couldn't find a good way to work this footage into the final film logically. But I don't want it to go to waste, and I'm kind of bummed about summer being over, so here you go. If you love fresh salsa, it is kind of fun to watch.
Wednesday, September 08, 2010
Promote Giant Squid Awareness!
Last night I had a dream that I was attacked by a giant squid that was in my refrigerator. The details are kind of sketchy--where's an "Inception"-like architect when you need one?--but I seem to remember the squid was left over from a sequence in "Raiders of the Lost Ark" that Steven Spielberg planned but never filmed. There was also some kind of connection to Sam Elliot playing a truck driver.
On a related note, my band is making its debut performance tonight at the Layton Amphitheater. I plan to check the place for hidden squid before I take the stage.
That is all.
On a related note, my band is making its debut performance tonight at the Layton Amphitheater. I plan to check the place for hidden squid before I take the stage.
That is all.
Tuesday, August 31, 2010
Countdown to the Debut
I'm getting kind of excited. My new band Groove Theorem is playing the Layton Amphitheater next week on the night of September 8th (a Wednesday). The show is free, and we're going to be joined by my good buddy Paul Timothy. Here's a taste of what we've been working up for the show:
Hopefully the neighbors won't complain too much...
Hopefully the neighbors won't complain too much...
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