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“This aggression will not stand.”
-George Herbert Walker Bush (to Saddam Hussein, 1990)
“This aggression will not stand, man.”
-The Dude (to The Big Lebowski, 1998)
Dear Facebook friends,
There comes a time in a man’s life when he can no longer stand silent in the face of an ongoing travesty. When he can no longer choose pacifism when he is surrounded by unadulterated hatred. When he must speak up to those closest to him and plead for reason, even as his most trusted peers shun basic human logic. I’m speaking, of course, of your Flixter Movie Ratings.
Actually I’m only referring to one of them. One that has continued to baffle me over and over and over. Through the years I’ve come to understand that when it comes to artistic taste, I am, more often than not, in the minority. That’s fine. I know I can’t convert all of you from country music. I know not all of you will dig Ray Bradbury.
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As I’ve scanned through that little movie rating comparison thing, over and over I’ve seen this movie get consistently low ratings. One star. Maybe two. Doesn’t matter if it’s a girl, a guy, a transvestite, or an inanimate object. Most of you don’t like “E.T.”, and for the life of me I can’t understand why. Hating “E.T.” is like hating puppies.
Have you no souls? Do you not bleed red? I mean, I can understand if you don’t like Wes Anderson’s movies. The humor is dry as day-old toast. In Tooele. But “E.T.”? What’s the problem?
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Does “E.T.” look too funny? That doesn’t work, either. HE’S AN ALIEN. He’s supposed to look funny. If you had been traveling thousands of light years across the galaxy in a giant basketball on a lifelong mission to collect plants, you might look a bit odd, too.
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Look, it’s not very often that a movie gets to me anymore, but this one does every time. When I saw it as a kid I dismissed it because I didn’t want to look like a sap. Seriously, I was six years old…what six year old wants to admit he has emotions other than “I must destroy all competition and consume candy”? But now I'm an adult, and secure in my sensitive feelings. I can even hug another man without guardedly slapping his back. “E.T.” brings together the best of Steven Spielberg and John Williams, combining a story that embodied Spielberg’s childhood (meaning the separation of his parents, not the time he met a fat little alien with a cowbell-shaped head) with some of the best music Williams ever wrote.
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Really, listen to the theme swoop in when Elliot rides his bike off the cliff, during that one millisecond when the bike lurches forward before ET’s telepathic guidance system kicks in and flies him off into the night, past the moon in that iconic poster shot. Or the emotional rollercoaster of ET dying, then coming back to life and setting off that dramatic bike chase that was every kid’s dream. The chase where the kids were the heroes. This wasn’t Indiana Jones riding a horse, this was a bunch of kids you probably knew from school, racing their bikes against cops so they could rescue the little alien dude that only they seemed to understand.
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Sincerely,
Josh